Thirty-six-year GAL member Alan Carruth has many GAL writing and speaking credits. He is a lutherie teacher and a maker of many types of instruments.
▪ bio current as of 2013
By the same author:
- In Memoriam: Don Bradley
- Wood Stiffness: An Analysis of a Substantial Sample of Woods of Interest to Guitar Makers
- Questions: Rosette Tiles
- Hunting the Elusive Guitar Wolf
- Meet the Maker: Alan Carruth
- Letter to the Editor: Sjaak article on string compensation in AL#104
- Letter to the Editor: Technical qualm with Jim Blilie’s article in AL#100
- Questions: String Tension and Purity of Tone
- Letter to the Editor: Kenny Hill Responses in AL#98
- The “Corker” Guitar: A Sideport Experiment
- Questions: North American Wood
- Meet the Maker: Carleen Hutchins
- The New Violin Family
- Octet 2005: First Convention of the New Violin Family Association
- Questions: Measuring Guitar Efficiency
- Questions: Measuring Soundboard Vibration
- Questions: Guitar Air Cavity
- Letter to the Editor: Luthiers Must Offer What Factories Can’t
- Questions: Gibson A-Model Refret
- It Worked for Me: Touching Up Polyurethane
- It Worked for Me: Removing White Glue
- Paradoxes in Guitar Acoustics
- HD-28 Soundboard Replacement
- Questions: Classical Guitar Top Design
- Catguts and Glitter and Horsehair on Bowsticks
- The Anti-Murphy Concert
- Free Plate Tuning, Part Three: Guitars
- Free Plate Tuning, Part Two: Violins
- Free Plate Tuning, Part One: Theory
- Opinion
- Violin Bridge Holder
- No, It’s a Craft
- Embarrassing Moments in Lutherie
- Hardening and Tempering Steel
- Single Fluted Reamer
- Hammered Dulcimer
- GAL Instrument Plan #4: Hammered Dulcimer
- Violin Bridge Tuning
- Sanding Board Tip
- Hurdy-Gurdies