2006
AL#85 p.30               
Chris Burt                                                                                           

▪ Burt’s in-depth examination of plate carving continues. His techniques are old-school, relying on tap tones to define plate stiffness and definite tonal relationships between the top and back plates. With 9 photos and a drawing.

This article has been nominated as one of the Guild’s best articles published before 2010.