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Brian Garston

After obtaining his PhD in photochemistry from Manchester University in 1978, Brian Garston embarked on a thirty-five year career with Procter and Gamble and worked in the UK, Turkey, and Belgium. Following his retirement in 2012, he has focused on his passion for guitars and guitar making. He is currently a member of the Board of the Centre for Musical Instrument Building (Cmb) in Puurs, Belgium.

▪ bio current as of 2015

Tropical vs. Nontropical Woods for Classical Guitars: The Leonardo Guitar Research Project

2015
AL#124 p.23               
Jacky Walraet   Brian Garston                                                                                       

▪ Everybody loves rosewood. Sounds great, looks great. In fact, it looks so great that we might be “hearing” its lovely, familiar deep color. Would non-tropical woods also make good-sounding guitars? And would they “sound” different if we took off the blindfold? To answer these questions, the Leonardo Guitar Research Project built a matched set of fifteen guitars and compared them under controlled conditions.