The Restoration of Agustin Barrios’ Francisco Simplicio

1997
AL#52 p.46   BRB5 p.148            
R.E. Brune                                                                                           

▪ What does it take to restore an important instrument? Skill, research, and a solid feel and appreciation for the time during which the piece was made and played. Skip any of these factors and you could easily screw up an irreplaceable piece. Brune describes his approach to one guitar while at the same time demonstrating the qualities necessary to enter this field.

This article has been nominated as one of the Guild’s best articles published before 2010.