2023
AL#150 p.65
Peter Tsiorba
▪ George Smith was one of that rare breed: A self-starter guitar maker before the American Lutherie Boom. Heres three fond remembrances by people who were glad to have known him well.
2023
AL#150 p.65
David Franzen
▪ George Smith was one of that rare breed: A self-starter guitar maker before the American Lutherie Boom. Heres three fond remembrances by people who were glad to have known him well.
2023
AL#150 p.67
John Calkin
▪ After decades in the wood shop, the burning energy of ones young self can seem remote. Our reviewer says that this little book about a remarkable life in lutherie helped him to remember.
2023
read this article
Herbert Family
▪ Chris Herbert was a guitar repairman in Colroado. Mentions Denny Stevens.
2023
AL#150 p.16
Mark French
▪ Richard R.E. Bruné was in the GALs very first cohort and was an author and convention presenter from the very beginning. Weve visited him a couple of times over the decades. His son Marshall was born into the business, and into the Guild. Together they run a large workshop and epicenter of classical guitar making, scholarship restoration, appreciation, and dealing.
2023
AL#150 p.62
Birck Cox
▪ The late Robert Lundberg is legendary as a lute maker and educator, but Birck Cox knew him before all that, back when Lundberg was working on fiberglass race cars. They met while unloading a moving van and were friends for many years.
2023
AL#150 p.64
Maria Gonzalez-Leon
▪ George Smith was one of that rare breed: A self-starter guitar maker before the American Lutherie Boom. Heres three fond remembrances by people who were glad to have known him well.
2023
AL#149 p.4
Mike Doolin Ken Parker
▪ Can you believe we have never met this guy? Hes a giant of the American Lutherie Boom, he was at the Guilds 1979 Convention, and he has been a GAL member for over twenty years. The world knows him as the maker of the Fly solidbody guitar, but now he has returned to his first love: the archtop guitar. Mentions Larry Fishman, John D’Angelico, Jimmy D’Aquisto, Scott Chinery, Orville Gibson, Lloyd Loar, Raphael Ciani, Nick Lucas, Michael Greenfield, Sam Zygmuntowicz.
2023
AL#149 p.36
Rebecca Urlacher Paul Woolson
▪ A conversation is kinda like two interviews happening at the same time. Thats what we have in this article; questions and answers come from both makers, as we meet them and learn about their lutherie lives. Mentions Charles Fox.
2023
AL#148 p.34
Harry Fleishman
▪ The late Denny Stevens was one of the earliest self-taught guitar makers of the American Lutherie Boom. He was also a mentor to author Harry Fleishman, who goes back in memory and imagination to interview Denny as he never did in life. Mentions Dale Bruning, Paul Killinger, Tony Jacobs, Richie Furay, Johnny Smith.
2022
AL#147 p.68
Beau Hannam
2022
AL#147 p.67 read this article
Ronald Louis Fernandez
▪ Janette was a sweet Scottish lass, the wife of luthier/dealer Ron Fernandez, well known in guitar circles and a regular at GAL Conventions.
2022
AL#147 p.68
David Bolla
▪ The GAL remembers an early supporter and author, who was also an influencial innovator of electric guitars. Plus he was a super-nice guy and mentor.
2022
AL#147 p.68
Steve Klein
▪ The GAL remembers an early supporter and author, who was also an influencial innovator of electric guitars. Plus he was a super-nice guy and mentor.
2022
AL#147 p.5
Ron Lira
▪ One long-time guitar repairer and GAL member eulogizes another. Honest Ron Lira tells us of the passing of his friend, the well-known author Don Teeter.
2022
AL#147 p.7
George Taylor
▪ In the 1960s, Hart Huttig, a founder of the American Lutherie Boom, had a guitar-playing friend named Chico Taylor. Decades later, Chico’s son has sent us a photo and a remembrance.
2022
AL#147 p.8
Brian Yarosh Beau Hannam
▪ Beau Hannam came up in the productive and innovative shop of Australian luthier Gerard Gilet, then migrated to Colorado to found his own shop making guitars and ukuleles. Hes all over the Interwebs with his generous lutherie advice and his gorgeous instruments.
2022
AL#147 p.42
John Calkin Peggy Stuart
▪ Peggy Stuart is not famous as a guitar maker, but her life story is one that every luthier under age fifty should hear and think about. She was one of “Sloanes Children,” struggling to make a guitar from that early book back in the dark ages of the middle 1970s. She discovered the GAL and soon attended conventions and wrote articles as her skills improved. But she ultimately saw that she would not be able to support herself as a luthier, and turned to law school. If you making a living building instruments in these days of milk and honey, thank your lucky stars and the Guild of American Luthiers.
2022
AL#146 p.64 read this article
Federico Sheppard Kevin Aram Josep Melo Mónica Esparza
▪ Romanillos was a towering figure in the lutherie field during a long and productive career as a maker and scholar. He was also a generous mentor and friend to many guitar makers. Four of those makers share fond memories of him here. Many more will miss him.
2022
AL#146 p.68 read this article
Staff
▪ G.D. lived in Yamhill, Oregon, built a wide variety of instruments, was the repairman and proprietor of the Newburg (Oregon) Music Center, and was a regular attendee at GAL Conventions in Tacoma
2022
AL#145 p.25
Evan Gluck
▪ Imagine you were a guitar repair guy, and there was another guitar repair guy in your same town. What would you do about it? If you were Evan Gluck, or any other enlightened, right-thinking luthier, you would march right over there and make him your best friend. These guys have a blast “competing” in the same market, sharing stories, customers, tools, and techniques. And yes, it does help if your hometown has over eight million people in it. Mentions Brian Moore, Dan Erlewine, Michael Bashkin, Ian Davlin, Jimmy Carbonetti.
2022
AL#145 p.64 read this article
Staff Cyndy Burton Jeffrey R. Elliott Woodley White
▪ Jon was a member of the GAL staff for over two decades. He wrote many articles, and did all the photography for Robert Lundberg’s landmark book Historical Lute Construction.
2022
AL#145 p.67 read this article
Rick Rubin Michael Elwell
▪ Buzz was a very early GAL member who made beautiful and unusual mandolins and archtop guitars.
2021
AL#144 p.36
John Calkin Robert Anderson
▪ Robert Anderson made banjos part-time for decades while he worked a respectable day job. But since he has “retired” into a full-time lutherie career, he is in demand for his beautifully carved, inlaid, and engraved instruments. We take a look into his converted tobacco barn and talk shop. Mentions Doug Unger, Stan Werbin, Kathy Anderson, Grateful Dead.
2021
AL#144 p.68 read this article
Michael Yeats Dan Compton Mark Moreland Chris Brandt
▪ Wesley Brandt was a luthier in Portland, Oregon who reached a rare degree of quality in his work with early instruments. Four friends mourn his sudden passing. Many more will miss him.
2021
AL#144 p.3
Neil Harrell
▪ Harrel thanks Gluck for an enlightening and informative take on responding to career changes.
2021
AL#144 p.3
Anya Ezhevskaya
▪ A fancy prototype shred guitar built, then lost, then found. Mentions Russ Lintz, Eric Stadler.
2021
AL#143 p.2
James Buckland
▪ Jim talks about meeting famous guitarists through his teacher Eli Kassner. Mentions John Williams, Leo Brouwer, and the Toronto Guitar Society.
2021
AL#142 p.6
Cyndy Burton Jose Romanillos R.E. Brune Jeffrey R. Elliott Kevin Aram Gary Southwell Simon Ambridge
▪ The great classical guitarist Julian Bream was well known for supporting and encouraging contemporary composers and promising young players. Less noticed by the public, but of special importance to luthiers, was Bream’s work with a handful of classical guitar makers from whom he commissioned the fine instruments that he played. In this article, those luthiers offer memories of their interactions with Julian Bream. Mentions Hermann Hauser Sr.
2021
AL#142 p.3
Paul Norton
▪ Fond memories of attending the Charles Fox guitar-making course in long-ago Vermont.
2020
AL#141 p.5
Victoria Tierney
▪ Includes a nice watercolor portrait of Mark Tierney.
2020
AL#141 p.5
David Breeze
▪
2020
AL#141 p.18
Evan Gluck
▪ What should you do when an unexpected event upsets the smoothly-running apple cart of your guitar-repair business? Don’ freak out. Take good advice from the trustworthy folks around you, and proceed with confidence. That’s the story, but raconteur and lutherie superstar Evan Gluck tells it better.
2020
AL#139 p.61 read this article
Ronald Louis Fernandez
▪ Felix Manzanero was a classical guitar maker and collector in Madrid. He spent twelve years in the shop of Jose Ramirez II, starting at age fourteen. Felix was a friend of author Ron Fernandez’ father, and then a lifelong friend of Ron; they visited each other’s homes in Spain and California. Mentions Seiko Sesoko, Laurindo Almeida, Manitas de Plata, Sabicas, Segovia, Paracho, German Vazquez Rubio.
2020
AL#140 p.10
Paul Schmidt John Jordan
▪ John Jordan was a young guy happily repairing instruments and making guitars when he got a commission to make an experimental electric violin. It turned out well enough to take his career in a new direction. Read his story and see some of his diverse and beautiful work. Mentions Ervin Somogyi, Shelley Rosen, Rolland Colella, Dave Matthews, Boyd Tinsley, nyckelharpa, D’Angelico, D’Aquisto, Neyveli S. Radhakrishna, Miri Ben Ari.
2020
AL#140 p.48
Federico Sheppard Javier Campos Tijeras
▪ Many of the fine hand-made guitars that are born in Ganada, Spain, spend a few weeks in the shop of Javier Campos Tijeras receiving a light, thin coating of shellac before they venture out into a cruel world of fingernails, cigarette smoke, and shaky guitar stands. Javi explains his process and holds nothing back about the specific materials and supplies he uses.
2020
AL#140 p.60 read this article
Juan Oscar Azaret
▪ Pioneering guitar maker, guitar designer, acoustics researcher, and author Graham Caldersmith has passed away. If you knew him, perhaps from his attendance at GAL Conventions, read this affectionate remembrance. If you didn’t, read it to find out what we’ve lost. Mentions Carleen Hutchins, Jim Williams, Greg Smallman.
2020
AL#139 p.6
Federico Sheppard
▪ Here’s a lutherie carreer so wide-ranging, so full of amazing travels and fortuitous connections, that you might be thinking of Baron Munchausen or Forrest Gump. But this is a true adventure, and he left a lot of it out in order to pack the story into a 75-minute lecture. Must read to believe. From his 2017 GAL Convention lecture. Mentions Torres, Simplicio, Garcia, Leo Kottke, Bozo Podunavac, Ray Jacobs, John Fahey, Peter Lang, Norman Blake, Robert Larson, Agustin Barrios, Ray Whitely, Sanfeliu, Enno Voorhorst, Jeffrey Elliott, Cyndy Burton, Richard Brune, Jorge Morel, Pepe Romero, Shel Urlik, Romanillos, Dmitry Zhevlakov, Paracho, Abel Garcia, Antigua Casa Nunez, Cecilio Lopez, Fernando Sor, Francois de Fossa, Cite de la Musique, Santos Hernanadez, Domingo Esteso, Antonio Marin, Eugene Clark, Michael Partington.
2020
AL#139 p.38
Sjaak Elmendorp
▪ Holland had a lutherie boom in the 1970s, too. Arie started out as a carpenter, but moved into lutherie after an injury. Today he makes steel string guitars and a variety of other instruments. Mentions Roger Siminoff, Irving Sloane, Arthur Overholzer, Cees van Loon, Vox Humana, preparing cow bone, humidity control.
2019
AL#138 p.3
Bill Garofalo
▪ The author has been a GAL member for many years. Lutherie has always been a hobby for him, not a profession. At age ninety, he continues to produce simple and unpretensious instruments with a considerable element of immediacy.
2019
AL#138 p.38
Steve Denvir Jay Lichty Corrie Woods
▪ Jay Lichty was late to the lutherie game, having spent a lot of years in a real job building houses as a general contractor. But he’s deep into instrument making now, and finding success with an eclectic line of ukuleles and small guitars. Jay’s wife, Corrie Woods, is the marketing department, working with photography and online media to make the most of Jay’s work at the bench. Together, they are making it work. From their lecture at the 2017 GAL Convention.
2019
AL#137 p.60 read this article
Tom Ribbecke
▪ Fred Campbell was a fixture on the lutherie scene for decades, specializing in finish work. Many of his friends will recall that he was notably forward in his appreciation of his Scottish heritage.
2019
AL#137 p.61 read this article
Tim Olsen
▪ Leo Bidne was great example of the restless rabble from which the GAL arose in the early 1970s. He was a curious and persistant teenager who, without instruction and with slim resources, managed to make guitars. Leo was member of the GAL Staff in its formative days.
2019
AL#137 p.4
Federico Sheppard Todd Cambio
▪ Federico has traveled the world to bring us news of excellent and unusual luthiers and their work. This time he journeyed from Green Bay, Wisconsin all the way to Madison, Wisconsin to meet a guy who keeps his work on the cutting edge of innovation by closely following the century-old work of American guitar factories, and Italian-American luthiers who worked in New York City before WWI. A word to the wise: Tulip poplar is not, and never shall be, banned by CITES or the Lacey Act. Mentions the Acosta family; John D’Angelico; Lydia Mendoza; Lonnie Johnson; Stella; Regal; Oscar Schmidt; Harmony; Lyon & Healy; Lead Belly; Favilla.
2019
AL#137 p.22
Cyndy Burton Joshia de Jonge
▪ Joshia de Jonge was a sensation at the 1998 GAL Convention when, as a young female luthier, she brought a nicely-made and fine sounding instrument to the classical guitar listening session. It helped to have grown up in a guitar-making family. And now that she has left her parents’ home and shop, she is raising guitar-making sons. Mentions Geza Burghardt; Linda Manzer; Sergei de Jonge; Eric Sahlin.
2019
AL#136 p.4
Federico Sheppard
▪ Robert Ruck was one of the young self-starters who founded the American Lutherie Boom, and he remained a leading light in the movement until the end of his life. Federico Sheppard was an aquaintence and admirer who became closer to Ruck when they spent time together at Federico’s place on the Camino de Santiago in Spain one summer. In this article, Federico presents a photo tour of Ruck’s shop in Eugene Oregon and explains some of the tools and techniques we see. Mentions French polising with hardware-store shellac. Mentions Richard Brune.
2019
AL#136 p.22
January Williams
▪ Before there were cheap Spanish guitars from Asian factories, there were cheap Spanish guitars from hard-working Spanish luthiers using traditional methods. If there was an inexpensive classical guitar kicking around your house or dorm room before about 1965, it might very well have been a Tatay. The family business was in Valencia, Spain, but they had an outpost in New York where one of the brothers turned out instruments at an amazing pace.
2019
AL#136 p.28
January Williams
▪ There are Tatay guitars, and then there are Tatay guitars. They could be from Valencia or New York; from one of four generations of the family; from one maker or his brother, father, son, uncle, or cousin. This article helps you sort them out. Photos of representative guitars, and lots of photos of labels from the various eras.
2019
AL#136 p.36
Mike Gluyas Shaun Newman
▪ Although he had fallen in love with the classical guitar the first time he heard one as a teenager, Shaun Newman was already well along in a career as a language teacher when he first tried to make one. He was lucky enough to find a mentor in his corner of England, and he has been making and restoring an impressive variety of fine instruments for the last thirty years.
2019
AL#136 p.54
Mark French
▪ Author Mark French has made a lot of guitars over the years, but when he wanted to up his game he attended an intensive two-week course by the dean of all American lutherie teachers, Charles Fox. Four students each built a guitar in the white from scratch and strung it up.
2018
AL#135 p.3
Bill Garofalo
▪ Good old Bill Garafolo has been a GAL member for a long time. He’s been having fun with lutherie for half a century.
2018
AL#135 p.16
Dan Erlewine Erick Coleman Chelsea Clark
▪ “Uncle Dan” Erlewine has been a constant presence in the American Lutherie Boom era, because he personifies the can-do ethos that underlies the whole dang movement: figure something out, and tell everybody about it. As a young man hoping to move from rocker to luthier, he found a generous mentor in Herb David of Ann Arbor, Michigan. Dan has paid that forward many times as he has brought young people into his shop and given them a place to grow. Mentions Herb David, Mark Erlewine, Jerry Garcia, Albert King, John O’Boyle, David Surovel, Bryan Galloup, Charlie Longstreth, Tom Erlewine, Gary Brawer, Joe Glaser, Steve Olson, Albert Garcia, Elliot John-Conry, Adam Fox, Exodus Almasude, Johan Powell, Max Feldman, Paul Lampley, Aaron Smiley, Rodrgo Gomez, Chelsea Clark. From his lecture at the 2017 GAL Convention.
2018
AL#135 p.38
Federico Sheppard
▪ In his youth, before Federico Sheppard found his calling as a luthier, he was a mere physician working for the Olympic Games. One day he heard a classical guitar being played on the radio of his car. It shook him to “his inner core being” as Lord Buckley would say, and changed the course of his life. And now he has finally made the pilrimage to Chile to visit the shop of the man who made that guitar, Rafael Mardones, and his son, Rafa Jr.
2018
AL#135 p.60 read this article
Federico Sheppard R.E. Brune Peter Oberg
▪ Good ol’ Bob Ruck was part of the dozen or two friends whose talent and commitment formed the basis for the American Lutherie Boom. He was always way ahead of the curve, and as they developed, his fine classical guitars provided inspiration for others of his generation. Three friends who knew him well share their appreciations. Article mentions Hart Huttig, J.R. Beall, John Shaw, Ervin Somogyi, Manuel Barrueco, Neil Ostberg, yoga, tai chi.
2018
AL#134 p.4
Monica Esparza
▪ There was a party in Spain when luthier, scholar, teacher, and author Jose Romanillos turned 85. Luthiers, musicians, dignitaries gathered to honor him. We get a close-up look through the eyes of his longtime admirer and student Monica Esparza.
2018
AL#134 p.6
Cyndy Burton
▪ Jose Romanillos has been an influential maker for the last fifty years, beginning with his fruitful collaboration with Julian Bream. Here we see a few photos that put his long career in perspective.
2018
AL#134 p.9
Monica Esparza Josep Melo Stefano Grondona Antigoni Goni
▪ Two guitarists and a luthier tell their stories of working with Romanillos.
2018
AL#134 p.16
Tim Olsen
▪ Ken Warmoth is one of the pioneers of the Strat-compatible guitar parts scene, starting small in the 1970s and working up to the sophisticated operation he runs today. He’s a born engineer, constantly refining and rethinking each operation for better accuracy and efficiency. Of course these days that involves CNC machines, and he’s got them. But you may be surprised to see which operations use them and which don’t. Our last visit with Ken was in 1991, so there is some catching up to do.
2018
AL#134 p.42
Michael Bashkin Harry Fleishman
▪ Everybody knows Harry Fleishman, right? We first “Met the Maker” in 2001, but by then Harry had already been an active GAL author and convention attendee for some time. Now we are catching up with him. This recent chapter of his story is a doozy, with major moves, businesses opening and closing, fruitful collaborations, international travel, and new beginnings.
2018
AL#133 p.22
R.M. Mottola Mark French
▪ Mark French was a kid who took guitar lessons and paid the guy at the music store to change his strings. He went on to be an aerospace engineer, but with all that book learning he still did not know how guitars worked. Now he teaches college courses on guitar making and hangs out with captains of industry at Fender and Taylor.
2017
AL#132 p.6
Brian Yarosh Michael Bashkin
▪ Michael Bashkin came to lutherie after earlier passions and careers in photography and tropical forestry. But for decades now he has been happily Geppettoing it, building beautiful steel string guitars in a cavernous industrial space. Mentions Harry Fleishman and Abe Wechter.
2017
AL#132 p.44
Juan Oscar Azaret Graham Caldersmith
▪ Graham Caldersmith’s articles in GAL publications go back a full thirty-five years, earlier than American Lutherie magazine itself. He’s located in a tiny town in the hinterlands of New South Wales, Australia. He uses his scientific training to develop innovative classical guitars, and has long been a leader in the effort to develop a family of guitars of different sizes and musical ranges. Our globetrotting reporter asks about his latest thoughts and methods, which include carbon-reinforced lattice bracing.
2017
AL#130 p.62 read this article
R.M. Mottola
▪ Jim Mouradian, shown here with his son Jon, ran a guitar repair shop and made electric basses. He was a generous and happy mentor to many.
2017
AL#130 p.63 read this article
R.M. Mottola
▪ Kyvelos was a world-respected maker of middle Eastern ouds. See his detailed step-by-step article on oud construction in American Lutherie #94 and American Lutherie #95.
2017
AL#130 p.71
Thomas Bazzolo
▪ How did Thomas Humphrey brace his Millenium guitars?
2017
AL#131 p.6
Federico Sheppard Bernhard Kresse
▪ Bernhard Kresse lives and works in his hometown of Cologne, Germany. He’s one of those guitar-making self-starters who was lured away from college by the siren song of lutherie. He has come to specialize in restoration and new construction of Romantic-era guitars, and also makes a “modern” classical guitar based on their advanced features.
2017
AL#131 p.20
January Williams Peter Tsiorba
▪ Peter Tsiorba began his working life as a teenager making garments in a semi-legit Soviet cooperative. Today he’s a family man and a maker of classical guitars in the lutherie Mecca of Portland, Oregon.
2017
AL#129 p.56 read this article
Cyndy Burton Marc Silber Brian Burns Michael Gurian Jay Hargreaves R.E. Brune Jeffrey R. Elliott Federico Sheppard
▪ Eugene Clark (1934-2016) was one of the earliest and most influential pioneers of the American Lutherie Boom. Mentions Manuel Ramirez, Domingo Esteso, Santos Hernandez, Jon Lundberg, Freddie Mejia, David Rubio, Michael Gurian, David Santo, Lucien Barnes, Freddie Mejia, David Serva, Warren White, Manuel Velazquez, Manouk Papazian.
2017
AL#130 p.2
James Condino
▪ James Condino remembers his friend and mentor Eugene Clark.
2017
AL#130 p.6
Tim Olsen Jason Lollar
▪ Jason Lollar attended the Roberto-Venn School of Luthiery way back when founders John Roberts and Bob Venn were still instructors. Jason went on to do a lot of guitar repair and some guitar making, but his early interest in winding pickups eventually grew into a twenty-person shop specializing in reproducing vintage models.
2017
AL#130 p.42
Paul Schmidt Jason Harshbarger
▪ A lot of the makers that we meet in the pages of American Lutherie are grizzled veterans of the early days. Not this one. Harshbarger is a young single father who went to lutherie school in the late 1990s, then survived on cabinet work until he could build a lutherie shop in his basement. His steel-string design work uses Steve Klein’s work as a point of departure, and moves forward boldly from there.
2017
AL#130 p.59 read this article
R.E. Brune
▪ Cooper was an early member of the GAL as well as a maker of large and detailed airplane models. He wrote what was at the time the only book in English about making a lute, based on the work of the Hauser family. He’s fondly remembered by R.E. Brune, who built lutes from that book in the 1970s.
2017
AL#130 p.60 read this article
Tom Bednark
▪ Tunquist ran the huge circular saw on which most of the wood for Martin guitars was cut in the 1940s, ’50s, ’60s, and ’70s. He is remembered by Tom Bednark, an early GAL member.
2017
AL#129 p.6
Cyndy Burton Linda Manzer
▪ The prolific maker of high-end flattop and archtop guitars talks about her mentors Jean Larrivee and Jimmy D’Aquisto, the lutherie biz, her collaborations with guitarist Pat Metheny, and a recent project in cooperation with other Canadian luthiers. Also mentions Paul Simon.
2017
AL#129 p.38
Steve Denvir Dave Collins
▪ Dave Collins is a rising star on the guitar repair scene. Take a look at a couple of nice jigs he has developed; one for slotting saddles, one for regluing broken headstocks. Interestingly, he is in the same Ann Arbor third-storey shop previously tenanted by Herb David. Dave counts Dan Erlewine and Bryan Galloup among his mentors.
2016
AL#128 p.65 read this article
James Westbrook John Doan
▪ Guild members knew Jim Forderer as the guy who brought an RV full of important antique guitars to the GAL Conventions and let us play them. Disabilities advocates and Neil Young fans knew him as the co-founder of The Bridge School. Sometimes the angels don’t look like angels. Maybe all the time.
2017
AL#129 p.3
Leo Bidne
▪ An electric guitar by pioneering designer Doc Kauffman uses a speaker cone in place of a resophonic cone.
2016
AL#127 p.22
Chris Sobel Jeffrey R. Elliott
▪ Jeffrey R. Elliott has been a luthier for about 50 years, and a GAL member for about 40 years. He has over 50 GAL author credits to his name and has been a frequent GAL Convention presenter. The last time we interviewed him about his life and work was about 30 years ago, so there is a lot of catching up to do.
2016
AL#127 p.46
Don Bradley Knutson
▪ John Knutson personifies the pioneers of the Lutherie Boom generation; a self-taught, self-confident selfstarter who jumped right into making instruments as a young man. He showed his first mandolin at the GAL’s 1980 convention in San Francisco, and briefly met David Grisman there. Decades later he recorded a CD with Dawg, using guitars and mandolins that he built. There is more to his interesting story.
2016
AL#127 p.71 read this article
Deb Olsen Chris Herrod Alan Carruth Fred Carlson
▪ Ouch. It’s tough to lose an old friend like good ol’ Don Bradley. Maker of frequency generators, keeper of llamas, attender of GAL Conventions, super great guy.
2016
AL#128 p.22
Pat Megowan Jeff Lee Manthos
▪ People come to lutherie on many different paths. Some of us were nerdy model-making kids, or spoiled lefty college dropouts. Or maybe the garage band was our gateway into the opium den of guitar making. On the other hand, Jeff Manthos was a helicopter aircrewman and rescue swimmer in the Vietnam era. Then, unexpectedly, he went to the Violinmaking School of America in Salt Lake City. He has made a career of it, first in other shops and now on his own.
2016
AL#128 p.48
Cyndy Burton Jeffrey R. Elliott Gabriel Fleta
▪ His grandfather Ignacio Fleta was a violin maker who started making guitars after repairing instruments by Torres, and his father Gabriel Sr. made guitars for decades as one of the legendary “hijos” of Ignacio who made guitars for Segovia, John Williams, and many others. Gabriel Fleta Jr. has been making guitars since the 1970s and has now inherited the family business. We visit his shop in Barcelona.
2016
AL#125 p.3
James Buckland
▪ Buckland recounts visits to Dejonges home and shop.
2016
AL#125 p.12
David Goen Tom Bills
▪ Tom Bill’s journey to a successful guitar maker and lutherie teacher, with some twists and turns along the way.
2016
AL#125 p.38
January Williams Patrick Huff
▪ Doc is a self-reliant man, independent thinker, joyful inventor, world traveler, and maker of highly original and unusual frailing banjos using a dizzying selection of gorgeous woods.
2016
AL#126 p.12
Federico Sheppard Sebastian Nunez
▪ Sebastián Núñez was a teenager in a Buenos Aires garage band, making electric guitars and pickups and searching for prog rock records, until he followed his girlfriend to the Netherlands to escape the troubles in Argentina. There he fell in with a historic-house-restoring, Harley-riding, early-music luthier. He read every early-music magazine in the Utrecht University library while commuting to work. Now he’s an old master, making and restoring lutes, Romantic guitars, and harpsichords. Our globetrotting reporter Federico Sheppard drops in on his busy workshop.
2015
AL#124 p.16
Steve Denvir Sergei de Jonge
▪ It’s one of the founding legends of the American Lutherie Boom: the tale of Jean Larrivee’s original workshop in Toronto over forty years ago and the ragged young crew of would-be luthiers who gravitated there. From that beginning, Sergei de Jonge went on to found a lutherie dynasty in the Canadian back country.
2015
AL#124 p.26
Mark Swanson Bryan Galloup
▪ Bryan Galloup was raised in a family of machinists, hot-rod makers, and self-sufficent can-do types. As a teenager he had the good fortune to be mentored by guitar repair guru Dan Erlewine, and he eventually took over Dan’s shop.Today Bryan builds and repairs guitars while also running an active lutherie school.
2015
AL#124 p.38
Robbie O’Brien
▪ Robbie O’Brien gets around. Among his many lutherie related projects, he recently went to Spain to film an instructional video on making a flamenco guitar. He met up with some great folks over there and brought home lots of great lutherie info. Warning: This article contains brief mentions of food, dance, song, architecture, passion, history, beauty, and cultural richness. There’s a big, wonderful world out there.
2015
AL#124 p.62
Robert Miller
▪ Victor Pfeil was an old-school violin maker in the 1920s when he invented and then patented an electric solid body violin using a coil pickup.It did not set the world on fire, and Victor continued to make and repair violins for a few more decades. Author Robert Miller was a young man who knew Pfiel at the end of his career.
2015
AL#123 p.40
January Williams Ken Altman
▪ Ken Altman is a bow maker living in Silverton Oregon, and is part of the group that produces the Northwest Handmade Musical Instrument Show.
2015
AL#122 p.40
Linda Stuckey Evan Gluck
▪ The life and work of repair-tech role model Evan Gluck, renowned owner of New York Guitar Repair.
2015
AL#123 p.4
Charles Rufino
▪ Why do some instruments made with a rough, crude style have an essence that draws you in, whereas ones meticulously perfect in every degree leave you cold? Rufino examines this question from his point of view as a violin maker with excellent traditional credentials of training.
2015
AL#123 p.24
Steve Denvir Sergei de Jonge Grit Laskin Linda Manzer David Wren
▪ Remembrances of long-ago days working in Jean Larrivee’s Toronto shop by guitar makers who are now considered some of the best in the world.
2015
AL#122 p.4
Cyndy Burton Jeffrey R. Elliott Nick Kukich Jeanne Kukich
▪ Nick and Jeanne Kukich, pop and mom of Franklin Guitars, discuss their 25 plus year partnership in life and work.
2015
AL#122 p.25
Jan Van Cappelle
▪ An examination of the surviving guitars and guitar forms of Stradivari.
2015
AL#121 p.16
James Condino Arnold Schnitzer
▪ Arnold Schnitzer was a young and successful working musician in the New York City area. When he found himself with the grown-up responsibilities of a wife and child, he decided to settle down and get a real job. Amusingly, that real job was hand-making string basses. But it has worked out well, so you never know. You’ll be glad you met him in this wide-ranging and lavishly illustrated interview.
2015
AL#121 p.34
Federico Sheppard Manuel Diaz
▪ Manuel Diaz learned lutherie decades ago in a little shop in his hometown. Then he moved across the street and opened his own shop.But what a town, and what a street! This is the Cuesta Gomerez in Granada, Spain.
2014
AL#119 p.60
Manuel Velazquez Cyndy Burton Eugene Clark Armin Kelly Robert Ruck Jeffrey R. Elliott Paul Szmanda
▪ Manuel Velazquez made a lot of friends and fans in his exceptionally long career as a maker of fine classical guitars. Here are a few remembrances a few folks who admired his work and his life.
2014
AL#119 p.71 read this article
Ervin Somogyi
▪ Steve was a guitarist, luthier, scholar, author, and experimenter who was a GAL member for twenty years and a regular at our conventions. He will be missed. Steve Newberry (Jan 2, 1928 – Aug 8, 2014).
2014
AL#120 p.6
Monica Esparza Josep Melo
▪ Melo has been making guitars since the ’60s. In the ’90s he began to seek out and collaborate with the makers whose work he found the most inspiring. He published a gorgeous coffee-table book about it called Following the Masters. His deepest collaboration has been with fellow Spaniard Jose Romanillos. Ironically, they met at the 1995 GAL Convention in Tacoma.
2014
AL#120 p.40
Tom Harper Jayson Bowerman
▪ Many of us in the Lutherie Boom generation started as pre-teen modelmakers or would-be wood crafters. Not Jayson Bowerman. He was studying manufacturing processes in college when he did his first woodworking in a shop class. Soon he was doing R&D at Breedlove.
2014
AL#118 p.46
Kent Everett Wade Lowe
▪ Luthier Kent Everett is a prolific guitar maker and teacher. So who was his early mentor? Wade Lowe, that’s who. Wade was a machinist who worked his way into lutherie and had a shop that became the Mecca of a generation of Georgia guitarists and guitar makers.
2014
AL#118 p.71 read this article
Beverly Maher
▪ New-York-City guitar dealer Beverly Maher remembers her old friend and colleague Manuel Velazquez who recently passed away at age 97.
2014
AL#119 p.18
Federico Sheppard Abel Garcia Lopez
▪ The town of Paracho is the center of guitar making in Mexico. As author Federico Sheppard says, they are known for making a lot of guitars, but not a lot of fine guitars. Well, here’s the guy who makes the good ones, like his father and grandfather before him. Take a close look at Abel’s workspace, tools, techniques, and family.
2014
AL#118 p.6
Alfredo Velazquez
▪ Announcing the death of legendary classic-guitar maker Manuel Velazquez. He lived from Feb 1917 until Apr 2014.
2014
AL#118 p.8
Woodley White Olivier Fanton d’Andon
▪ Early in his career, French luthier Olivier Fanton d’Andon was asked to restore a Romantic-era guitar for a museum. He was impressed with the guitar’s highly arched plates, and adapted the idea to a classical guitar. He has made a successful career with the resulting design.
2014
AL#117 p.71 read this article
Harry Fleishman
▪ Remembering Ken Goodwin, luthier and guitarist. 1948-2013.
2014
AL#117 p.5
Tom Bednark
▪ Raymond Tunquist, sawyer of Brazilian, Indian, Rosewood, Mahogany, and Ebony for many noted guitar makers, passed away on November 7th 2010 at age 93 in New York.
2014
AL#117 p.16
Federico Sheppard Antonio Marin
▪ One of the masters of Spanish guitar, Antonio Marin answers questions from his humble shop in Granada, Spain, where he has lived and worked since 1979.
2014
AL#117 p.40
Brian Yarosh Robbie O’Brien
▪ Luthier and teacher Robbie O’Brien on his career, from his stints as a chiropractor, jeweler, and acupuncturist, to his initial exposure to the guitar during his extended stay in Brazil, to his instruction from Antonio Tessarin and his teaching work in Colorado.
2013
AL#115 p.38
John Calkin Roger Alan Skipper
▪ Roger Alan Skipper has spent his entire career in Western Maryland where he was first introduced to lutherie through encountering a Mandolin maker at a bluegrass gathering. He is a one man lutherie shop and a writer of novels.
2013
AL#115 p.71 read this article
Staff
▪ Remembering Gene Stephenson; machinist, guitar, mandolin, and violin builder. 1932-2013.
2013
AL#116 p.16
Tom Harper William Eaton
▪ William Eaton (composer, performer, luthier, outdoorsman) on his life and career which has spanned many fields and subject, with particular attention to his work at The Roberto-Venn School.
2013
AL#116 p.42
Rick Rubin Tom Cussen
▪ Irish Banjo maker Cussen discusses his career, beginning in the 1960s amidst the popular folk scene.
2013
AL#114 p.38
Brian Yarosh Fabio Ragghianti
▪ An update on Fabio Ragghianti’s activities since his Meet the Maker article in AL#61; most notably his travels in Vietnam.
2013
AL#115 p.24
Federico Sheppard Martin de Witte
▪ Martin DeWitt is a self-taught luthier and machinist from The Hauge, Netherlands.
2013
AL#113 p.70 read this article
Chris Herrod
▪ Remembering Darlene Eddinger (1958-2012) who was the purchasing manager at LMI for 25 years.
2013
AL#113 p.71 read this article
Ken McKay Tim Olsen
▪ Remembering Frederick C. Lyman (1925-2011) WWII veteran, art painter, bass builder, and free jazz musician.
2013
AL#114 p.14
James Condino Stephen Marchione
▪ Stephen Marchione on his career in building solidbody electrics, acoustic guitars, mandolins, and violins.
2013
AL#113 p.3
Ron Lira
▪ Announcement of the passing of Ty Piper, builder of imperial banjos.
2013
AL#113 p.38
Steve Denvir David Wren
▪ David Wren: guitarmaker, photographer, and historian, describes his career starting as Jean Larrivee’s assistant and becoming a builder in his own right.
2012
AL#112 p.40
Tom Harper Alan Carruth
▪ The curious and driven mind of Alan Carruth and the application of this curiosity to all aspects of the musical instrument world for over 30 years.
2012
AL#111 p.71 read this article
Deb Olsen
▪ Deb Olsen remembers Joe Johnson, (1954-2012) the first curator of the Shrine of Music Museum in Vermillion, South Dakota and the founding curator at Georgia Music Hall of Fame in Macon, Georgia.
2012
AL#112 p.3
Larry Breslin
▪ Larry Breslin on his first exposure to the Flamenco guitar and building his first instrument.
2012
AL#112 p.5
Paul Ruppa
▪ Inspirations from Joe Johnson’s masters thesis, which includes a 90 page catalog of fretted instruments.
2012
AL#112 p.20
R.M. Mottola Antoine Coupal Dalgleish Gabriel Marcotte Colin Prevost-Lemire Pascal Scott Vincent Cleroux
▪ A profile of the entire Bruand School graduating class of 2011, a private lutherie school affiliated with L’Institut des Metiers d’Art of the college Du Vieux-Montreal, based in Montreal. All six graduates attended the 2011 convention exhibition.
2012
AL#111 p.5
Noah Peacock
▪ A son remembers his father, luthier George Phillip Peacock.
2012
AL#111 p.6
Charles Pace
▪ Praise of Mottola’s writing in American Lutherie and it’s inspiration on the author of this letter.
2012
AL#111 p.20
Roger Alan Skipper Robert J. Spear
▪ Robert (Bob) Spear has been in lutherie more than 35 years and has been instrumental in the development and promotion of the new violin family of instruments.
2012
AL#111 p.42
Tom Harper Don Bradley
▪ Don Bradely, an active Guild member since the late 70s, is fascinated by the eclectic music and instrument makers of various world cultures, electrical engineering, and various other fields.
2012
AL#110 p.14
Woodley White Andrea Tacchi
▪ Andre Tacchi crafts classical guitars in Florence, Italy, honoring both past and present masters.
2012
AL#110 p.36
Brian Yarosh Jeffrey Yong
▪ An update since 2004’s meet the maker article in AL#78. Yong on his expansive career, exotic woods, and instruments.
2011
AL#108 p.70 read this article
Mike Ashley Robert England R.E. Brune David Laplante Charles Vega
▪ Remembering Joseph Wallo (1921-2009) Internationally known maker of the finest in concert guitars.
2012
AL#109 p.16
Cyndy Burton Jeffrey R. Elliott David Rodgers Rob Rodgers
▪ English father-son business partners David and Rob Rodgers on their precision tuning machines and family history in the field.
2012
AL#109 p.44
John Calkin R.M. Mottola
▪ Mottola is involved in various lutherie activities including electrical engineering, experimental instrument building, and technical writing and reporting for American Lutherie magazine.
2011
AL#108 p.34
James Condino
▪ Studying and researching a one of a kind D’Aquisto guitar, on hand at Dream Guitars, owned by Paul Heumiller.
2011
AL#108 p.35
Jeffrey R. Elliott
▪ Jimmy D’Aquisto and Richard Schneider’s meeting at the 1978 GAL convention in Winfield Kansas and their resulting interactions.
2011
AL#108 p.35
John Monteleone
▪ Jimmy D’Aquisto’s unique exploration of the building of classical guitars.
2011
AL#108 p.24
Roger Alan Skipper Stan Werbin
▪ Stan Werbin, owner of Elderly Instruments in Lansing Michigan, on his career in business, the store’s extensive instrument inventory, and his relationship with luthiers in the repair shop.
2011
AL#107 p.40
Roger Alan Skipper George Gruhn
▪ Gruhn on his career, starting in animal psychology before moving to vintage guitar collecting and the opening of Gruhn Guitars and his own instrument building.
2011
AL#107 p.3
Tom Bednark
▪ Remembering Raymond Elwood Tunquist, age 93 of New York, a skilled sawyer and WWII pilot.
2011
AL#105 p.69 read this article
Jonathon Peterson Eric Meyer Ed Geesman David Kerr Hiram Harris
▪ Five luthiers remember Jess Wells, (1953-2010) builder of viols, lutes, fishing rods, and pipe organs.
2011
AL#106 p.6
Roger Alan Skipper Federico Sheppard
▪ Federico Sheppard on his journey from Geology, to chiropractic medicine, to his study of Agustin Barrios, to his stint as a consultant for the national museums of Paraguay and El Salvador, and his instrument making.
2011
AL#106 p.26 ALA5 p.88
Kathy Wingert Monica Esparza
▪ Monica Esparza entered lutherie later in life than most, and now divides her time building with her job as co-owner and operator of a soft drink company.
2010
AL#104 p.61 read this article
Roger Alan Skipper Dan Kabanuck
▪ The Luthiers Mercantile service rep and heavy metal guitarist on how he became a luthier himself.
2011
AL#105 p.16
Roger Alan Skipper James Condino
▪ James Condino maintains an adventurous approach to his instrument design and to life in general.
2011
AL#105 p.32
David Miracle Ron Sharp
▪ Ron Sharp is a school teacher and guitar player who builds flattop guitars based on 1930s Martins and salvages Belizean Mahogany.
2010
AL#104 p.8
Cyndy Burton Kevin Aram
▪ Kevin and Alison Aram discuss a life in lutherie from their farm in Devonshire, England where they collaborate to run the Aram Guitars business.
2010
AL#103 p.6 ALA1 p.20
Jonathon Peterson Mike Doolin
▪ Mike Doolin’s innovative and distinctive double-cutaway steel string guitars have made a real impression over the last sixteen years. Doolin discusses his guitar playing, building, background in software developing and other subjects of interest.
This article has been nominated as one of the Guild’s fifty best articles published before 2010.
2010
AL#103 p.41 ALA5 p.55
Federico Sheppard Nicolo Alessi
▪ Alessi crafts highly sought after tuning machines of artistic beauty and technical sophistication in Luino, Switzerland.
2010
AL#103 p.44
Roger Alan Skipper Erick Waldron Kevin Waldron Jonathon Waldron David Miller
▪ Waldron, a family business, switched from general contracting to guitar building in 2009, and is now a thriving lutherie company.
2010
AL#101 p.71 read this article
Tom Ribbecke
▪ Tom Ribbecke mourns his friend and respected colleague Taku Sakashta, maker of world class guitars. (1966-2010).
2010
AL#102 p.18
Roger Alan Skipper James Ham
▪ Ham operates from a shop in Victoria, B.C. where he repairs and restores violin family instruments and constructs world class double basses.
2010
AL#102 p.38 ALA6 p.88
Kathy Wingert Gregg Miner
▪ Gregg Miner is dedicated to collecting instruments and restoring them to playing condition and through his research has acquired a wide network of historians, repairmen, and luthiers.
2010
AL#101 p.14 ALA1 p.82
Roger Alan Skipper Ben Patron
▪ Ben Patron has lots of great lutherie ideas. He makes very useful guitars out of gold pans, chicken ranch roofs, and sheets of stainless steel. He also makes reproductions of guitars by D’Angelico, Torres, and Panormo.
This article has been nominated as one of the Guild’s best articles published before 2010.
2010
AL#101 p.38
Jonathon Peterson Ted Megas
▪ Ted Megas makes gorgeous archtops, but lutherie wasn’t his first career choice. He also has a hankering for large machines.
2009
AL#100 p.71 read this article
Veronica Merryfield David King
▪ Remembering David Minnieweather (1964-2009) a bass maker and player.
2009
AL#99 p.54
Lamar Scomp John Calkin
▪ A long-time contributor to American Lutherie exposes himself. With 8 photos.
2009
AL#99 p.70 read this article
Harry Fleishman
▪ Remembering Dennis Stevens (1944-2009) who was revered in the jazz community and made fabulous steel string and classical guitars.
2009
AL#99 p.71 read this article
Rick Davis
▪ Remembering Rob Girdis (1953-2009) who studied with Anthony Huvard at Huvards Northwest School of Instrument Design. His guitars were notable for detail and artistry in color and form.
2009
AL#100 p.5
Aaron Green
▪ The passing of Carleen Hutchins and remembrances.
2009
AL#100 p.20 ALA3 p.80
John Mello John Gilbert
▪ Gilbert, born in 1922, made his first guitar in 1965 while a tool designer at Hewlett-Packard. He has 120 guitars to his credit.
2009
AL#98 p.71 read this article
Harvey Leach
▪ Remembering Lance McCollum (1958-2009) builder of guitars and specializing in those with piano-like tone.
2009
AL#99 p.5
Mary Monteiro
▪ Monteiro tells of the death of her friend luthier Ivo Pires.
2009
AL#99 p.14
Roger Alan Skipper David Cohen
▪ Cohen’s life followed an unusual progression—scientist, professor, mandolin maker, sort of in that order. He has a different take on instrument theory than some of us, but the work is the same as is the hard road most luthiers walk. Fortune and fame are elusive, regardless of ones background, but at least the work is satisfying. Cohen is also the author of several scientific papers concerning mandolins. His instruments look quite tasty. With 17 photos.
2009
AL#98 p.18 ALA3 p.58
Tim Olsen Cyndy Burton
▪ Burton has been tenacious in her pursuit of the classical guitar, traveling widely and learning from the likes of William Cumpiano, Eugene Clark, and Jeffrey Elliott, making a name for herself in what has largely been a man’s world. We’re all members of her fan club and rejoice at finally knowing more about her. With 17 photos.
2009
AL#98 p.36 ALA3 p.18
John Calkin James Buckland
▪ Buckland is a classical performer and teacher who also builds guitars, not and unheard of combination but a rare one. He is especially knowledgeable about guitar history and the little known Terz guitar, of which he is an authority. If that sounds dull you should also know that he started as a Canadian lefty who was initially inspired by Jimi Hendrix, among other rockers. He’s still a lefty, but now we have him in America. Canada has probably been sulking ever since. With 10 photos.
2008
AL#96 p.68
Linda Manzer John Monteleone
▪ Tracing the origins of elusive James D’Aquisto planes and other D’Aquisto factoids.
2009
AL#97 p.18 ALA4 p.42
Jonathon Peterson Michael Dunn
▪ Canadian Dunn studied guitar making in Spain but ended up specializing in Maccaferri-style guitars. He uses an internal soundbox similar to the original design. His use of wood inlay and marquetry, as well as his choice of body woods is original, playful, and stunning. He is also a lutherie teacher of note. Read this and have fun. Mentions Bill Lewis, George Bowden, Jose Orti, jose Pepe Ferrer, Shelley Park, Chuck Shifflet, Bill Rivere, Patrick Olmstead, Sonny Black, Ray Nurse, ted Turner, Tim Hobrough, Bob Brozman.
2009
AL#97 p.42
John Calkin Graham McDonald
▪ Aussie McDonald has built many sorts of instruments, though he has come to specialize in mandolins and bouzoukis and has written a pair of books about their construction. He has also contributed a number of articles to American Lutherie over the years. It becomes apparent that like is different in Australia. We should all take a field trip there. With 8 photos.
2008
AL#96 p.42
James Condino Ted Davis
▪ Davis’ lutherie exploits goes back to the ’70s. He was one of the first of the recent red spruce believers, and he harvested many trees to supply himself and a few others who were lucky enough to key into his business. He made guitars, mandolins, and dulcimers to support his hotrod automobile habit. He had strong opinions about wood that run counter to modern beliefs, and had the experience to back them up.Davis died before the interview was published. He will be missed. With 15 photos.
2008
AL#96 p.68
Gordon Pritchard
▪ A jazz guitar by Craig Pederson, purchased by guitarist Steve Katz.
2008
AL#95 p.70 read this article
Stephan Connor
▪ Remembering Thomas Humphrey (1948-2008) renowned as an innovative contemporary creator of classical guitars. With one photo.
2008
AL#96 p.6 ALA3 p.68
Robert Ruck Jeffrey R. Elliott Manuel Velazquez Alfredo Velazquez
▪ Manuel Velazquez built his first guitar in 1929. Can you imagine that? His son Alfredo is carrying on the tradition, though Manuel has not retired. He has definite opinions about what woods make the best guitar and how they should be finished. He is a giant in the business and must be admired for his tenacity as much as his ability. And a fun interview to boot. Mentions Bobri, Andres Segovia, Torres, Santos Hernandez, and Hermann Hauser. With 36 photos.
2008
AL#96 p.18 ALA1 p.60
Cyndy Burton Kathy Wingert
▪ Wingert has as extensive a lutherie background as anyone, and even does Chladni glitter tests on her guitars (which, by the way, look exquisite). Her daughter Jimmi has a growing reputation as an inlay artist. How rare is a mother/daughter team in lutherie? Mentions Bob Mattingly, Larry Robinson and Harvey Leach. With 12 photos.
2008
AL#96 p.24
Cyndy Burton Jimmi Wingert
▪ Jimmi Wingert seems like a cool and talented young woman with a growing clientele for fine inlay work. Oh, to have the funds to travel the country to meet all these people. Mentions Harvey Leach and Larry Robinson. With 2 photos and a drawing.
2008
AL#95 p.14 read this article
Barbara Goldowsky Norman Pickering
▪ Pickering invented the phonograph cartridge named after him, but that’s just for starters. He’s spent a long lifetime researching and teaching acoustics, inventing clocks and aircraft instruments, working with medical ultrasonics, flying his own plane, researching bowed instruments, and playing viola in chamber ensembles. Just to name a few of his activities. A very interesting and intellectually restless man. With 8 photos.
2008
AL#95 p.26
Steve Kinnaird Chuck Lee
▪ Lee is a prominent maker of old-time open-back banjos, ex-plumber, dedicated Christian, and Texas-style family man. Cool guy, and his banjos are interesting, too. With 20 photos.
2008
AL#95 p.50
Andy Avera Daniel Fobert
▪ Fobert is a Texas builder of archtop guitars who is unusually obsessed with making as many of the parts for his guitar as possible, not including (yet!) the tuners. There are luthiers who worship old guitars and work to reproduce them, and luthiers who can’t be bothered with something that’s already been done. Fobert is one of the latter. With 6 photos.
2008
AL#93 p.56 read this article
Mike Moger
▪ Three luthiers travel to war-ravaged Nicaragua to teach a class in guitar making. Why? It’s an effort to aid job diversity and economic growth to an area often reduced to subsistence farming for a living. With 6 photos.
2008
AL#94 p.8 read this article
R.M. Mottola Peter Kyvelos
▪ The oud, of course, is the Arabic ancestor of the lute, as well as being a popular contemporary instrument in many parts of the world. Kyvelos has been building them since 1970. The story offers a bit of background on the oud, a few of its recent historical builders, and Kyvelos himself, though most emphasis is placed upon the construction of the instrument. This part mostly concerns the construction of the bowl of the instrument. With 33 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2008
AL#94 p.18
Cyndy Burton Jim Forderer James Westbrook
▪ As presented in this interview, Jim Forderer and Jim Westbrook are both collectors of guitars of the 19th century, a time period which included the development of the classical guitar. But most of their examples are about the evolution of that instrument and not about the finished post-Torres species. They are unique individuals with strange and wonderful tastes in guitars. With 17 photos and a dendrochronological analysis of the top of a very early Martin guitar.
This article has been nominated as one of the Guild’s best articles published before 2010.
2008
AL#94 p.36 ALA3 p.52
Woodley White Paul Fischer
▪ Fischer has been building guitars for 50 years and has completed over 1000 instruments. He apprenticed as a harpsichord maker, then learned guitar making from David Rubio. As with any good interview, it quickly becomes apparent that who we are is more fascinating than what we do. With 15 photos.
2008
AL#93 p.8
Frederick C. Lyman Jr.
▪ The legend of the Martin company wood scrap heap. It was a wonderful thing, says Fred.
2008
AL#93 p.10
Jonathon Peterson Robert Ruck
▪ Ruck has been one of the bright lights among American classical guitar makers for a long time, and this lengthy interview not only shows him to be a fascinating individual with an interesting history, but dwells at some length on the development of his guitars and the bracing patterns and other features he has evolved. Among his influences are Juan Mercadal, John Shaw, Hart Huttig, Neil Ostberg, and Manuel Barrueco. With 24 photos and a bracing diagram.
This article has been nominated as one of the Guild’s fifty best articles published before 2010.
2008
AL#93 p.38 read this article
Greg Hanson Andrea Florinett
▪ Author Hanson spent two weeks in Switzerland harvesting and processing lumber and tonewood with the Florinett family, who supply the guitar business with 7000 quality spruce tops each year. Florinett is a certified forester who is as concerned with the healthy harvesting of tree stands as with making the most and best use of the wood. The morality of business is also his concern if he is to help his village, his country, as well as the future of his family business. This is a compelling look at an end of the lutherie business that few of us even think about. With 15 photos and a sketch of Picea abies subspecies.
2007
AL#92 p.64 read this article
Barbara Goldowsky
▪ Mr. Shirazi’s book give clear and precise direction for building all the parts of this Persian instruments, as well as information about building five different body types. This is perhaps the only AL book review that includes a nice interview with the author. With 1 photo.
2007
AL#92 p.70 read this article
Chris Dungey
▪ Oregon violin maker Gardener was an influential luthier who lived a very long life. He is famous for mentoring younger luthiers in the skills of selecting and cutting trees (see “Logging Luthiers,” BRB2 p.446 AL#24 p.13). It always hurts when another member of the tribe passes on.
2007
AL#92 p.20 ALA4 p.36
Steve Wiencrot Scott Baxendale
▪ Baxendale has lived a hyperactive life as a repairman and builder in several parts of America, including a stint working for Stuart Mossman and then as owner of the Mossman company, and repairman for the Hard Rock Cafe chain and Gruhn Guitars, before opening his own shops in Denver. Few luthiers live as hard or cover as much territory. With 14 photos.
2007
AL#92 p.40 ALA6 p.50
Jonathon Peterson Stephen Sedgwick
▪ Harp guitars fascinate a lot more people than actually play them, so it takes a brave luthier to jump into the field. Sedgwick comes off as a delightfully modest man who is determined to make harp guitars or bust. His guitars are smallish and choice. This is yet another interview that makes it clear that life is different in other countries (England, in this case), and understanding that is one of the best reasons to travel. A wonderful interview, with 9 photos. Mentions London College of Furniture, London Guildhall University, London Metropolitan University.
2007
AL#91 p.14
C.F. Martin IV
▪ The author is the current chief of the venerable family business. He provides a candid look at Martin Guitar company history as well as a short examination of alternative wood varieties. Highly entertaining, with 5 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2007
AL#91 p.32 read this article
Jay Hargreaves Jay Hostetler
▪ Not only is Hostetler a long-time employee/leader at Stewart-MacDonald, he’s a really nice guy. He sidesteps a lot of personal history to give us an entertaining inside look at Stew-Mac, a major supplier of tools, parts, and materials to the lutherie trade and the hideout of several interesting and talented luthiers and musicians. With 3 photos.
2007
AL#90 p.3 read this article
Bruce Harvie
▪ People die every day; that’s the way of the world. But it still hurts to see one of our lutherie family join the departed, especially one so young and talented. Sullivan was a Northwest builder known mainly for mandolins, but he made many other fine instruments as well.
2007
AL#90 p.16 read this article
Barbara Goldowsky Douglas Martin
▪ Martin is the guy who’s turning the violin world upside down with his balsa wood fiddles. They look pretty bizarre but critics and musicians seem to agree that he’s on to something. He’s also a very interesting guy. With 20 photos.
2007
AL#90 p.22 ALA1 p.72
Mark French
▪ Taylor Guitars started out as the sort-of-goofy new kid on the block and has grown into the largest production steel string guitar facility in the country. Maybe you’ll learn something from this factory tour and maybe you won’t, but it’s always fascinating to see how the big guys do things. It’s the state of the art in large production. With 25 photos.
2007
AL#90 p.32
Cyndy Burton Kenny Hill
▪ Hill is an amazing man who has been a classical performer, a harvester of his own tonewood, a teacher of prisoners, an entrepreneur who has opened guitar factories in three countries, and a really nice guy. And more! Truly a fascinating individual. With 9 photos.
2007
AL#90 p.46
Rodney Stedall Mervyn Davis
▪ Davis’ South African upbringing inspires a wonderful decorative sense in his instruments. He’s built a ton of different stuff but may end up best known for his wildly unique modular guitars called Smooth Talkers. With 16 photos.
2007
AL#89 p.18 ALA4 p.32
Steve Kinnaird Chris Jenkins
▪ Texas luthier Jenkins has become an inspiration to those who have seen his work, though he drew his own inspiration and instruction from Charles Fox, Harry Fleishman, Ervin Somogyi, and Fred Carlson. He’s a classic example of what can be accomplished by seeking out talented instruction rather than fiddling one’s own way up the learning curve. With 12 photos.
2007
AL#89 p.38
Federico Sheppard Dmitry Zhevlakov
▪ This is not only the story of a Russian luthier who also makes beautiful rosettes for other builders, but is another example of how the Internet has changed the world — in this case for better. With 9 photos.
2007
AL#89 p.62 ALA1 p.26
John Calkin
▪ Gunsmith Mark Chanlynn built Calkin a machine to precisely measure the deflection of a guitar top under a constant weight. There are no plans here, but it’s pretty obvious how it works, and just as obvious how it might help you make better guitars. With 3 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2006
AL#88 p.48
C.F. Casey Jose Zamora
▪ Reyes-Zamora is a proud Puerto Rican who made it his business to rescue portions of the country’s history from oblivion. He has specialized in resuscitating the Puerto Rican tiple, an instrument unlike others of the same name. With 6 photos.
2007
AL#89 p.3 read this article
Richard Johnston
▪ A long-time repairman well-known in the Bay area of California passes on.
2006
AL#88 p.34 ALA6 p.56
Jonathon Peterson Benoit Meulle-Stef
▪ Meulle-Stef is a French harp guitar luthier who lives and works in Belgium. The harp guitar has deep roots in Europe and he is familiar with all of them. His own instruments have a grace that harp guitars often lack (and check out his fan-braced steel-string top!) This is another sign that lutherie has always been a global industry, even though American guitarmakers tend to forget or ignore it. With 22 photos and a drawing.
2006
AL#87 p.44
Tom Harper Rodney Stedall
▪ Stedall is a South African optometrist/luthier and coordinator of the Guild of South African Luthiers. Are you surprised that South Africa has a guitar scene? Well, these days it can happen anywhere. With 6 photos.
2006
AL#87 p.54
Tobias Berg
▪ A new category of article is born! Europeans often take a longer road to lutherie nirvana than Americans, finding several important stops along the way to opening their own shops. Berg was such a traveler and his story is very interesting. With 2 photos.
2006
AL#88 p.3 read this article
Bruce Harvie
▪ Ted Berringer was a prolific and unfettered amateur builder with an impressive 55 years of experience in the art. He was a long-time GAL member and frequent attendee at GAL Conventions. Here’s and affectionate goodbye to a really likable guy.
2006
AL#86 p.18
Jonathon Peterson Bernard Millant
▪ Millant is a violin maker, a bow maker, an appraiser, an author, and a man of high repute within the fiddle world. The depth of training behind many fiddle people will astonish most guitarmakers, and it makes for entrancing reading. With 9 photos.
2006
AL#86 p.32 read this article
Alan Carruth Carleen Hutchins
▪ Even if you couldn’t care less about violins you will be fascinated by this woman’s life. She has built and studied bowed instruments for as long as anyone, and her contributions to the field may be beyond estimating. If everyone’s life was as busy and fulfilling as Hutchins’ the world would be a far different place than it is. With 4 photos and relative drawings of the 8 instruments in the new violin family.
This article has been nominated as one of the Guild’s best articles published before 2010.
2006
AL#87 p.6
Kenny Hill
▪ Hill has made guitars for eons, harvested his own wood, taught lutherie in a prison, and opened shops in Mexico and China. Not to mention that he’s a fine guitarist. The man has been around. This piece is part biography, part how-to, and all interesting. He’s led an interesting life, and he’s not that old. With 9 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2006
AL#85 p.20
Jonathon Peterson David King
▪ King is a perfectionist who even machines his own bridges. The finish he uses is a catalyzed polyurethane. He uses some interesting equipment to arch his fingerboards and install his frets. After reading this you may not be eager to set up next to him at an instrument show. With 15 photos.
2006
AL#85 p.38 ALA3 p.40
Woodley White Greg Byers
▪ Byers has been around for a long time. He has an intuitive idea of what sound he is seeking in his guitars and a clinical approach to finding it. That’s quite a combination, and he is quite an interesting fellow. With 7 photos.
2006
AL#85 p.44
Alan Carruth
▪ A few people have long struggled to expand the violin family from four members to perhaps eight. There isn’t airtight agreement here. But the family is growing. This description of the 2005 convention seems to explain how successful the new sprouts on the family tree might be,. With 1 photo,
2006
AL#86 p.3
David Macias
▪ Macias clears up some details about the life of Juan Serrano. R.E. Brune agrees that he got a few things wrong in his article in AL#84.
2005
AL#84 p.18 BRB7 p.402
Mark Swanson Del Langejans
▪ Langejans is a resourceful guitar maker with a big-time clientele. Many of his designs are unique, as is his finishing material and some of the wood he uses. He has strong opinions about how to get started and survive in the business, which have apparently worked for him very well. With 9 photos.
2005
AL#84 p.28 BRB7 p.404
R.E. Brune
▪ This Meet the Maker article focuses on a Spanish luthier who has been in the business since 1949. With 30 photos of four guitars.
2005
AL#84 p.54 read this article
Bill Beadie
▪ An apprenticeship, as described here, involves no transfer of cash, but the author lists a variety or reason why an apprenticeship might be a fine thing for apprentice and mentor alike.
2005
AL#83 p.44 BRB7 p.380
Todd Rose Jay Hargreaves
▪ Bass maker Hargreaves is hardly a stranger to AL readers. Here he stands on the other end of the interview as he discusses his work as well as his affiliations with Michael Kasha and Richard Schneider.
2005
AL#83 p.53 BRB7 p.533 read this article
Tom Harper
▪ This offering includes a pamphlet by R.E. Brune and Don Pilarz that includes 30 color photos of this guitar, a new full-size blueprint by Brune, a CD of music by Segovia, and a poster. The reviewer concludes that “as a builder of classical instruments I really can’t imagine passing up this compilation.” ‘Nuff said.
2005
AL#83 p.10 BRB7 p.362
Jonathon Peterson Pierre-Yves Fuchs
▪ Fuchs went through cabinet making school and violin making school on his way to becoming a gold medal bow maker. He is traditional and opinionated, and will make you believe that there might be cosmic influences involved in making an excellent bow. Intuition, that is. Tradition, experience, and a good feeling about your work in progress. Science guys may pull their hair out, but most of us would rather have good intuition than a good grounding in physics. With 3 photos.
2005
AL#82 p.6 BRB7 p.320
Fred Carlson
▪ Carlson makes some of the world’s coolest, most graceful, and weirdest stringed instruments. Focusing on a harp guitar he calls the Flying Dream he discusses at length how he designs and builds his creations. There is lots of detailed info here that will help you build the instruments you see in your mind, as opposed to the ones for which you can already buy a blueprint. Truly inspirational. With 42 photos and 10 drawings.
This article has been nominated as one of the Guild’s fifty best articles published before 2010.
2005
AL#82 p.26 BRB7 p.312
Jonathon Peterson Charles Beare
▪ Beare is the captain of a violin restoration firm, a competition judge, and a man thoroughly versed in the intricacies of vintage violins. He has known all the experts of his life time, and he has formulated many strong opinions about old fiddles and the various fields that use them to do business. You’ll find him interesting even if you aren’t a violin person. With 9 photos.
2005
AL#82 p.51
Ervin Somogyi
▪ So you’ve made a guitar but it’s not all you hoped for. You have the opportunity to discuss it with your peers and they all have a cure. Unhappily the methods of correction don’t jibe. Somogyi finally got a response he could live with. It saved his guitar and eventually turned into an unexpected sale. The whole trick is in lucking into the right guy to talk to.
2005
AL#82 p.54 read this article
Bruce Calder
▪ Take a 2-page, 6-photo journey to a lutherie shop around the world. The ouds and other instruments are vastly different from American Normal and their decoration is almost beyond description.
2005
AL#81 p.3 BRB7 p.299 read this article
Eric Meyer
▪ Another member of the tribe moves on.
2005
AL#81 p.22 read this article
John Calkin Steve Kinnaird
▪ Two luthiers decide to build guitars for each other, a straight across trade and with a minimum of rules. Its wonderful fun if the anxiety doesn’t kill you. With 5 photos.
2005
AL#81 p.26 BRB7 p.286 read this article
Cyndy Burton Kevin La Due
▪ A high school teacher coaches entire classes through guitar making. Think kids can’t do it? You’ll be surprised. Some well-made and easy-to-use jigs make the process faster and friendlier, and the use of local wood makes it affordable. Pretty inspirational, and with 21 photos.
2005
AL#81 p.46 BRB7 p.306
Bruce Calder Bob Jones
▪ Jones is one of the “big guys” in the New York City instrument repair scene. He owns some very cool collectables. He’s worked for some of the biggest names in the industry. He has definite opinions about how to get into the business. How could you not read this? With 13 photos, including one of a double neck Selmer.
2004
AL#80 p.10 BRB7 p.236
Jonathon Peterson Frank Ford
▪ Sometimes an interviewer has to pry information out of a person. Not so with Frank Ford, who unleashes a wonderful account of his life as a repairman in the Bay area. Prominently mentioned are Richard Johnston, Jon Lundberg, Dan Erlewine, Gryphon Instruments, and Mario Martello. Inspirational stuff, including 14 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2004
AL#80 p.28 BRB7 p.254
Cyndy Burton Armin Kelly
▪ Meet the dealer? Well, when a dealer has such a strong influence in the lives of the luthiers he represents, why not? If you build, and if you want to sell through a dealer, you need to read this interview. Besides, Kelly’s enthusiasm is so infectious it will send you right back to your workbench. Boutique guitar builders and shops are relatively new to the steel string, but it has always been the way among classical guitar people. This is why. With 3 photos.
2004
AL#80 p.59 BRB7 p.526 read this article
Bryan Johanson
▪ The reviewer gushes about the detail and quality of research that went into the book, as well as the authors’ enthusiasm for their subjects.
2004
AL#79 p.5 read this article
Keith Watson
▪
2004
AL#78 p.20 BRB7 p.192
Cyndy Burton Lester DeVoe
▪ A maker of flamenco guitars discusses guitarists and instruments. A good interview can be as inspiring as a good how-to, and this is a good interview. Mentions Santos Hernandez, Sabicas, Paco de Lucia.
2004
AL#78 p.46 BRB7 p.200
John Calkin Jeffrey Yong
▪ Yong hails from Malaysia, a country not often associated with fine lutherie. Nevertheless, he makes a lot of instruments that look very contemporary and tasty, and he has access to varieties of wood that would make many of us very envious. With 10 photos.
2004
AL#77 p.8 BRB7 p.142
Jonathon Peterson Sue Mooers Ray Mooers
▪ This is a wonderful story of how a couple began a basement lutherie business and ended up employing 36 people in the creation of fine harps and hammered dulcimers. Everybody in the lutherie trades should be this nice and interesting (and the wonder of it is that so many are!). With 37 photos, including a bunch of the harp assembly shop.
2003
AL#76 p.16 BRB7 p.116
Mike Doolin John Greven
▪ This wonderful interview has the kind of depth that only happens when friends talk. It takes familiarity to know what to ask and how to answer. Humor permeates this discussion of alternative woods, business ploys, the Internet, and in general living the life of a successful luthier. Greven has been in the business as long as anyone and is generous with his advice and experience. With 22 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2003
AL#75 p.42 BRB7 p.76
Jonathon Peterson Dake Traphagen
▪ For those who really make an impact in lutherie complete immersion in the craft is the rule, not the exception. Long days, few breaks, and a lot of work. Traphagan is a good example. Floating to the top of the heap isn’t a simple matter. Still, one can get there while maintaining a sense of humor and a continuing appreciation for the mysteries of the craft, and Traphagan is also a good example of that, too. A really good interview with 10 photos and three diagrams of guitar tops.
2003
AL#74 p.40 BRB7 p.66 read this article
Andy DePaule Do Viet Dung
▪ A common, if unspoken, theme that runs through AL is how different humans are around the world even though they may share the same work or obsessions. Vietnamese luthier Dung is a prime example. Things are different over there. May we keep sharing, but may we all remain different! With 9 photos.
2003
AL#74 p.6 BRB7 p.32
Philippe Refig
▪ Bouchet (1898-1986) was one of only a handful of guitar makers that kept the craft alive previous to the “lutherie boom” we are now enjoying. His small output belies the influence he had on the classical guitar. The author knew Bouchet and has written a charming, if too short, biography. With 1 photo.
This article has been nominated as one of the Guild’s best articles published before 2010.
2003
AL#74 p.20 BRB7 p.48
Jonathon Peterson Steve Grimes
▪ Grimes is one of the premier archtop builders of our times. His flattops aren’t bad, either. He worked for years in the Northwest before moving to Hawaii, where the slack-key guitar scene has impacted his flattop designs.
2003
AL#74 p.32 BRB7 p.58
Ed Beaver George Morris
▪ Morris has spent his life teaching others to build instruments. Teachers influence their fields in ways that rarely become apparent because it’s often their students who become prominent. It takes a special character to thrive under these conditions, and character seems to be something Morris has plenty of. With 7 photos.
2003
AL#73 p.3 BRB7 p.7 read this article
Rodney Stedall Stuart Deutsch Larry Baeder Anne Ludwig
▪ South African luthier Pistorius died way too young, but don’t we all. Here a few of his friends remember him.
2003
AL#73 p.8 BRB7 p.8
Cyndy Burton Kathy Matsushita
▪ Matsushita is a professional teacher and an adventurous luthier, which makes for a fine combination for an interview. Her story is one of the best examples of how the internet has impacted our lives, of how we can teach and learn by electron. Joy and information can be the same thing. With 14 photos.
2003
AL#73 p.34 read this article
Juan Carlos Morales John L. Walker
▪ The struggle toward lutherie can be really difficult in countries where the people honor the old ways and mistrust anything new. The Pugos in this little story the fought indifference and fear of their Ecuadorian countrymen to become makers of violins and other instruments.
2003
AL#73 p.50 BRB7 p.24
Nathan Stinnette George Wunderlich
▪ Wunderlich builds minstrel banjos, recreations of banjos made before the various factories turned them into standardized items that standardized the way we all think about the banjo. With 6 photos.
2002
AL#72 p.3 BRB6 p.397 read this article
Jay Hargreaves
▪ Remembering George Majkowski (1929-2002) who began his career at IBM, later turned his attention to building harpsichords and guitars, and served as one of Richard Shneider’s assistants.
2002
AL#72 p.18 BRB6 p.400
Stephen Frith
▪ How would you like to learn guitar making in a Spanish castle? How about under the tutelage of Jose Romanillos? Cool, huh? Frith explains what it’s like. Any organization with a staff member named Big Pep has to be pretty far out. With 19 photos.
2002
AL#72 p.24 BRB6 p.404
Ken Goodwin Edward Victor Dick
▪ A Canadian now living in Denver, Dick has a long and varied career as a builder, repairman, and teacher. He builds a wide array of instruments, including some fascinating sound sculptures. The 13 photos illustrate his versatility as a builder and artist.
2002
AL#72 p.36 BRB6 p.410
Jonathon Peterson Saul Koll Ralph Patt
▪ Jazz guitarist Ralph Patt and luthier Saul Koll have teamed up to make archtop 8-string electric guitars that are tuned in thirds rather than standard tuning. The guitars look a little strange because there is no taper to the fingerboards. You’ll have to read the article to understand the thinking behind them. Watching Patt play must confuse the heck out of other guitarists. With 14 photos.
2002
AL#72 p.46 BRB6 p.433
Michael Bashkin Michihiro Matsuda
▪ Changing countries and cultures to enhance one’s skills must be a daunting and exhilarating experience. Matsuda came from Japan to learn lutherie in Arizona, then apprenticed in California. His designs are innovative and his guitars lovely to behold. With 9 photos.
2002
AL#71 p.24 BRB6 p.424
John Calkin Duane Heilman
▪ Heilman builds quirky, imaginative ukes that he auctions on-line. He’s also made hundreds of exotic picks that he sells the same way. With 17 photos.
2002
AL#71 p.3 BRB6 p.348 read this article
Pauline Dickens James Jones Graham Caldersmith
▪ Dickens did R&D work at Bell Labs in his day job, and was among the first to look at the functioning of the guitar from a mathematical vantage point. He was known for his inquisitive mind and willingness to share his knowledge with others.
2002
AL#71 p.5 read this article
Clive Titmuss
▪
2002
AL#71 p.7 read this article
Philippe Refig
▪
2002
AL#70 p.4 BRB6 p.350
John Calkin Ralph Novak
▪ Novak has been on the guitar scene since the late ’60s, specializing in the creation and repair of electric instruments, though his expertise doesn’t end there. His best-known invention is probably the Novax fanned fret system, though his work with multi-string guitars deserves note. Mentions Charles LoBue. With 17 photos.
2002
AL#69 p.3
Steve Spodaryk
▪ Steve went to Italy to take a lutherie class from Fabio Ragghianti. He says the class and the hospitality were great.
2002
AL#69 p.7
Bryan Johanson
▪ Bryan gives a personal overview of the 2001 GAL Convention. In this context he recalls meeting Bob Lundberg.
2002
AL#69 p.28 BRB6 p.316
Jonathon Peterson Kerry Char
▪ Char is a guitar maker who also specializes in the restoration of old and odd instruments, particularly harp guitars by Knutsen and others. With 16 photos of vintage instruments.
2001
AL#68 p.6
Stephen Frith
▪ Stephen took a class from Jose and Liam Romanillos in Spain. He liked it, and them, a lot.
2001
AL#68 p.8 BRB6 p.242
Jonathon Peterson Bob Benedetto
▪ Benedetto has had as large an impact on the modern archtop guitar as anyone. He’s also a really nice guy, unpretentious and level-headed. You’re gonna like him. With 11 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2001
AL#68 p.16 BRB6 p.250
Bob Benedetto
▪ For a builder of orthodox archtop guitars Benedetto certainly has some iconoclastic ideas. His opinions about bridges, tailpieces, guitar setup, and tonewood may turn your head around. With 9 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2001
AL#68 p.28 BRB6 p.274
Cyndy Burton Tom Blackshear
▪ Blackshear has been building classical guitars since the ’50s. He has been strongly influenced by the work of Miguel Rodriguez. With 15 photos.
2001
AL#68 p.33 BRB6 p.310
Ronald Louis Fernandez
▪ There are discrepancies in the Rodriguez family history that the author seeks to remedy.
2001
AL#68 p.36 BRB6 p.313
Tom Blackshear
▪ A full-scale instrument plan. See the GAL website for a low-rez preview.
2001
AL#68 p.54 BRB6 p.284
Joao Jose de Santana Borges Fernando Cardosa
▪ AL has certainly included an international air this year, and this introduction to Brazilian luthier Cardosa adds to the festivities. With 8 photos.
2001
AL#67 p.46 BRB6 p.262
John Calkin John Kitakis
▪ Kitakis and his sons make high-end ukes in Hawaii.
2001
AL#68 p.5
Mike Moger
▪ Mike attended a class taught by Harry Fleishman and Fabio Ragghianti. He liked it a lot.
2001
AL#67 p.6 BRB6 p.222
Scott Hackleman
▪ Hackleman spent nearly a year in India learning one shop’s traditional ways of making sitars. The low state of technology in India, and the amazing work they do with so few tools, make this a fascinating read no matter what your interest in ethnic instruments. With 36 photos and 11 drawings.
This article has been nominated as one of the Guild’s best articles published before 2010.
2001
AL#67 p.22
Bon Henderson
▪ If you weren’t there you can still get a feel for the show. It’s worth it. With 86 photos.
2001
AL#67 p.34 BRB6 p.206
Jonathon Peterson David Minnieweather
▪ Minnieweather lives in Oregon and makes some fine-looking electric basses, including a stunning electric upright. With 9 photos.
2001
AL#66 p.20 BRB6 p.216
Greg Hanson Sebastian Stenzel
▪ Stenzel is a German who specializes in classical guitars. He shares much information about his guitars as well as some opinions that may surprise you. With 5 photos.
2001
AL#66 p.32 BRB6 p.238
Jonathon Peterson Taku Sakashta
▪ Sakashta left Japan to build both archtop and flattop guitars in California. He is definitely not afraid to design away from tradition. With 8 photos.
2001
AL#66 p.47 BRB6 p.198
Steve Newberry
▪ Tatay built guitars in the back room of a music store in WWII-era Manhattan. Newberry hung out then as a teenager. Not many of us have memories of our youth that are this cool. Alas. Or is it just that Newberry tells a really good tale? With 2 photos.
2001
AL#65 p.10 BRB6 p.82
Paul Schuback
▪ Schuback learned violin making in a small shop in France during the ’60s. This segment of his 1995 convention workshop lecture covers completing the plates and fitting the neck, fingerboard, nut, and soundpost to the body. There’s lots of local French color, old tools, and old ways presented here, as well as a bit of how the violin has changed since the days of the first Italian masters. Part One appeared in AL#63. With 33 photos, a diagram, and a sequence chart for building a violin.
This article has been nominated as one of the Guild’s fifty best articles published before 2010.
2001
AL#65 p.28 BRB6 p.174
Jonathon Peterson Eugene Clark
▪ Clark began his guitar building over 40 years ago, which makes him one of the true father figures of our craft. His life has been a crooked path, with interesting things at every jog in the road. You’ll like meeting him. With 12 photos.
This article has been nominated as one of the Guild’s fifty best articles published before 2010.
2001
AL#65 p.44 BRB6 p.200
Bruce Calder Sergio Huerta Chavez
▪ Chavez is a builder of guitars and violins from Mexico who has managed to find markets in the US. Lutherie-life south of the border is probably different than you think, especially if Paracho has been your only touchstone. With 5 photos.
2001
AL#66 p.5 BRB6 p.165 read this article
Jonathon Peterson Jean Gilman Lora Lundberg Schultz Dorothy Bones Ben Lundberg Michael Yeats Gunter Mark Cyndy Burton Jeffrey R. Elliott
▪ Lundberg was perhaps the foremost lute maker in America, a champion of building lutes in an historical manner, a longtime member and supporter of the GAL, and author of the landmark book Historical Lute Construction. Family and friends take a deep look at the significance of his life and work. With 10 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2001
AL#66 p.6 BRB6 p.186
Ken Goodwin Harry Fleishman
▪ Fleishman has been a guitar and bass designer/builder, a teacher of lutherie and writing, a longtime member of the GAL, a frequent contributor to AL and its current product reviewer. Harry is as well-known for his outrageous sense of humor as for the outrageous instruments he creates. With 10 photos.
2000
AL#64 p.3
Bob Benedetto
▪
2000
AL#64 p.20 BRB6 p.140
Jonathon Peterson Rick Turner
▪ Not frequently is one person so often in the right place at the right time with the skills to take advantage of the situation. Turner has “been there and done that” as an inventor and designer of instrument electronics as well as a repairman, designer, and manufacturer of Alembic guitars and basses and Turner-brand electric and acoustic guitars. His story is as colorful as it is informative. With 21 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2001
AL#65 p.5 BRB6 p.204 read this article
Paul Fischer
▪ Born David Joseph Spinks, Rubio was an Englishman who adopted his Spanish nickname. He became a well-known maker of classical guitars, early instruments, and violins.
2000
AL#63 p.20 BRB6 p.82
Paul Schuback
▪ This piece would be important just as an historical document of Schuback’s apprenticeship to a French violin maker in the early ’60s. The inclusion of his current shop practices and building methods makes it an article that everyone interested in the violin should read. With 33 photos and 5 diagrams.
This article has been nominated as one of the Guild’s fifty best articles published before 2010.
2000
AL#63 p.40 BRB6 p.130
Gordon Gray Clive Titmuss
▪ Titmuss is a Canadian who builds and performs upon the lute. He’s also a lute historian and a musicologist. It takes an interesting person to make a mostly-forgotten piece of the past come alive, which is what Titmuss does. With 8 photos.
2000
AL#63 p.3 BRB6 p.71 read this article
Tim Miklaucic
▪ Current patriarch of a guitar-making dynasty dies at the age of 47.
2000
AL#63 p.3 BRB6 p.88 read this article
Tim Olsen
▪ Nick was a multi-faceted friend of the GAL and instrumental in its on-line existence. He was a frequent AL author, especially on the subject of botany.
2000
AL#63 p.5
John Monteleone
▪
2000
AL#63 p.10 BRB6 p.72
Cyndy Burton Sheldon Urlik
▪ When a collector becomes a historian his importance to lutherie takes on a new dimension. Urlik’s collection begins with Torres and extends to many important current, and can be examined by anyone in his book A Collection of Fine Classical Guitars, from Torres to the Present. With 19 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2000
AL#62 p.3 BRB6 p.81
R.E. Brune
▪ Mentions the death of Jim Norris, who “was instrumental in bringing the classical guitar to Chicago in the late 1950s and early 1960s…”
2000
AL#62 p.6 BRB6 p.32
John Monteleone
▪ No one in the field of archtop guitars is more respected than Monteleone. This article represents his full thoughts on the instrument as of 1998. With 12 photos and 4 drawings.
This article has been nominated as one of the Guild’s best articles published before 2010.
2000
AL#62 p.18 BRB6 p.42
Jonathon Peterson David Freeman
▪ Freeman is an independent thinker who builds a wide variety of instruments and runs his own lutherie school in Canada. He’s also outspoken and articulate. You’ll be glad you met him here. With 21 photos.
2000
AL#62 p.42 BRB6 p.62
Andrea Tacchi Masaru Kohno
▪ Kohno classicals are ranked with the best of 20th century guitars. His youth in pre-war Japan was an experience unfamiliar to most of us, though his path toward higher standards of craftsmanship is one that many luthiers have traveled. His life was not an ordinary one. With 5 photos.
2000
AL#62 p.54 BRB6 p.470
Fred Carlson
▪ Carlson examines Frank Ford’s “Frets.Com, A Luthier’s Notebook”, an ongoing CD-ROM project taken from Ford’s website and finds that it offers more information than one reviewer can deal with. The reviewer also looks at the Fret Tang Expander and the Fret Tang Compressor, 2 tools invented by Ford, and finds them a good addition to his tool kit. With 4 photos.
2000
AL#62 p.59 BRB6 p.66 read this article
John Calkin Henry Stocek
▪ Stocek began a small business to supply the guitar trade with pickguard stock that resembles pre-war celluloid. He loves old Martins, bluegrass, and “the right look,” and all three have altered his life. With 2 photos.
2000
AL#61 p.2
Keith Davis
▪
2000
AL#61 p.4 BRB6 p.2
Cyndy Burton Geza Burghardt
▪ Burghardt and his family emigrated to Canada from Hungary in 1988 with few worldly goods and little English and proceeded to carve out a niche in a fashion we have grown accustomed to hearing about in these pages. He seems to prefer classical guitars and hand tools. Included is an 8-picture description of the jig he uses to slot the sides into the necks of his guitars, and 7 other photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2000
AL#61 p.20 BRB6 p.12
Jonathon Peterson David Rivinus
▪ This luthier has redesigned the viola into a beast he calls the Pellegrina. Its ergonomic design can potentially extend the working life of violists while supplying the tone they need for the most exacting jobs. The price, however, is a way-cool new look for the instrument. Way-cool for some, at least. With 12 photos and 3 drawings of different viola bridges.
This article has been nominated as one of the Guild’s best articles published before 2010.
2000
AL#61 p.40 BRB6 p.28
Harry Fleishman Fabio Ragghianti
▪ Ragghianti is an Italian luthier. It’s interesting that luthiers from around the world seem to think of their instruments in the same terms. This easily allows them to immediately find a common ground regardless of their cultural background or language. Ragghianti came to America, then Fleishman went to Italy. The terrain didn’t seem to make a lot of difference. With 3 photos.
1999
AL#60 p.28 BRB5 p.420
John Calkin Bob Gernandt
▪ This North Carolina luthier likes to use native timber in the wide variety of instruments he builds. His particular interest is the Irish bouzouki and cittern.
1999
AL#60 p.38 BRB5 p.431
Todd Novak David Santo
▪ Santo has not only been a luthier of wide experience, he has been a consultant to several instrument companies of note.
1999
AL#59 p.18 BRB5 p.386
David Melly Steve Kauffman
▪ Kauffman had been a luthier for sometime before he apprenticed to Steve Klein. Today he builds Klein acoustics in his own shop as well as his personal line of guitars. He’s a thoughtful and thought-provoking man, and you’ll be glad you met him. With 6 photos.