Tag Archives: Waterman¸ Duane
Group Guitar Project
1986
AL#5 p.52
Duane Waterman
▪ The idea of the project is to bring together several members/luthiers to build a guitar cooperatively and sell it for the benefit of the Guild.
Love That Bob! An Appreciation of R.L. Mattingly
1984
GALQ Vol.12#3 p.9 BRB2 p.456
Duane Waterman
▪ Waterman on his impressions and experiences with Bob Mattingly.
Bob Mattingly’s Building Process
1984
DS#289 BRB2 p.456
Duane Waterman William Tapia
▪ Mattingly was one of the most respected classical builders in America before his death. This article examines some of the unusual construction techniques he used.
Go-Bar Deck Part 2
1984
DS#299 LT p.44
Duane Waterman
▪ The go-bar box illustrated in this data sheet is primarily used in clamping braces and plates to a guitar soundboard, is very effective, easy to use, and has many more advantages over a workboard and clamps.
Miniature Table Saw
1984
DS#300 LT p.101
Duane Waterman
▪ Simple table saw uses a 3″ blade mounted directly on the shaft of a small motor.
Guitar Body Vise
1984
DS#272 LT p.50
Duane Waterman
▪ Uses pipe clamp screws.
Purfling Lamination
1984
DS#278 BRB2 p.367
Duane Waterman
▪ This is a trick method of laminating wood purfling strips and bending them to shape at the same time. With 5 photos.
Group Guitar
1983
GALQ Vol.11#2 p.30
Duane Waterman
▪
X/Radial Bracing
1983
DS#244
Duane Waterman
▪ The synthesis of the traditional (Martin) X-brace system and parts of the present radial bracing theory.
Body Mold and Bending Form
1983
DS#232 LT p.54
Duane Waterman
▪ Side-bending form is made from the waste of the mold.
Guitar 81: An Overview
1981
GALQ Vol.9#3 p.8
Duane Waterman
▪ From June 22 to June 27 summer 1981, the Guitar Society of Toronto presented Guitar 81, its third international guitar festival. We received these 4 reports from GAL members in attendance.
Guitar 81: Romanillos Workshop
1981
GALQ Vol.9#3 p.9
Duane Waterman
▪ From June 22 to June 27 summer 1981, the Guitar Society of Toronto presented Guitar 81, its third international guitar festival. We received these 4 reports from GAL members in attendance.
Head V-Joint
1981
DS#183 BRB2 p.282
Duane Waterman
▪ The author uses a series of drawings to help explain the creation of a unique but tradition method of attaching the headstock to a guitar neck.
French Polishing Tips
1981
DS#188
Duane Waterman
▪ An outline of the French polishing process used by Jose Romanillos.