Category Archives: ethics

Let’s Catch Up With Richard Bruné and Marshall Bruné

2023
AL#150 p.16               
Mark French                                                                                           

▪ Richard “R.E.” Bruné was in the GAL’s very first cohort and was an author and convention presenter from the very beginning. We’ve visited him a couple of times over the decades. His son Marshall was born into the business, and into the Guild. Together they run a large workshop and epicenter of classical guitar making, scholarship restoration, appreciation, and dealing.

Ruminations on Historic Guitar Restoration

2022
AL#145 p.16               
Jeffrey R. Elliott                                                                                           

▪ Elliott is best known for his long career of making classical guitars of the highest quality, but he has also undertaken some major restorations of important historic instruments. Here he reviews three projects and shares thoughts about his approach. Mentions Jose Romanillos, Hermann Hauser Sr., Antonio de Torres, Francisco Tarrega, Francisco Gonzalez, Peter Radcliff.

When Your Business Hits a Bump

2020
AL#141 p.18               
Evan Gluck                                                                                           

▪ What should you do when an unexpected event upsets the smoothly-running apple cart of your guitar-repair business? Don’ freak out. Take good advice from the trustworthy folks around you, and proceed with confidence. That’s the story, but raconteur and lutherie superstar Evan Gluck tells it better.

Beachcombing for Cedar

2020
AL#141 p.38               
Gerry Chicalo                                                                                           

▪ All the guitar soundboards ever made don’t add up to a toothpick in the vast lumberyard of the timber industry. A stray cedar log that washes onto a beach in British Columbia can be lutherie gold, and harvesting it can be a lot of nice fragrant outdoor fun.

A Larson Bros. Harp Guitar Restoration

2020
AL#140 p.34               
Kerry Char                                                                                           

▪ This ornate contraption had seen a lot of use and abuse in almost a dozen decades of service. Long-ago modifications plus the pull of sixteen strings left it in a sorry state. It had to be taken in hand rather decisively to be brought back into playing condition. Two necks, the back, the enormous bridge, and a lot of bracing came off. Content warning: contains lutherie gore.

Tropical Hardwoods: Global Perspectives and Outlook

2019
AL#138 p.6               
Michael Bashkin                                                                                           

▪ Michael Bashkin’s lutherie cred is unimpeachable, and it turns out that he previously had a career in forestry, with years of experience in many places from the tropics, to the temperate zone, to the arctic. So he knows a lot about trees and about wood. How should we feel about using the earth’s dwindling supplies of fine traditional woods to make our wonderful, precious guitars? And will our clients give us less of their wonderful, precious dollars if we don’t? Let’s ask Michael. This fascinating article is based on his 2017 GAL Convention lecture.

Questions: Should I Get a Receipt When I Drop Off My Guitar For Repair?

2019
AL#136 p.71               
Stan Werbin                                                                                           

▪ Stan Werbin of Elderly Instruments does not want to speak for other shops, but he says his busy repair shop is always happy to provide any needed paperwork.

A Smashed Top and a Shattered Headstock

2019
AL#136 p.12               
Kerry Char                                                                                           

▪ A cool old Gibson-era Epiphone guitar got well and truly smashed in an incident involving large and excited dogs. Better call Char! Kerry Char, that is. He jumps right in to remove the top, take off the braces, and then put the whole thing back together and polish it up nice before you can say “Kalamazoo!” From his 2017 GAL Convention slide show.

Warmoth Guitar Products in the 21st Century

2018
AL#134 p.16               
Tim Olsen                                                                                           

▪ Ken Warmoth is one of the pioneers of the Strat-compatible guitar parts scene, starting small in the 1970s and working up to the sophisticated operation he runs today. He’s a born engineer, constantly refining and rethinking each operation for better accuracy and efficiency. Of course these days that involves CNC machines, and he’s got them. But you may be surprised to see which operations use them and which don’t. Our last visit with Ken was in 1991, so there is some catching up to do.

Business Tips for the Repair Shop

2018
AL#133 p.62               
Paul Neri                                                                                           

▪ Here’s some good, simple advice on how to keep your repair customers happy from a guy with decades of experience.

Letter to the Editor: Instrument Resurrection Stories

2008
AL#96 p.3               
John Calkin                                                                                           

▪ Calkin’s letter is concerned with repair shop work ethics, customer relations, and job burnout. It’s really about an old-timer surveying modern society and finding it lacking in some ways.

Resurrecting the Family Banjo

2005
AL#84 p.50   BRB7 p.412            
John Calkin                                                                                           

▪ Resurrection isn’t so much about true restoration as in making a dilapidated instrument function again in a manner that the owner can afford. Time-saving procedures are permitted that a restorationist wouldn’t dream of, but preserving the instrument as much as possible is still the goal. With 12 photos.

Restoring Tarrega’s 1888 Torres

2005
AL#83 p.18   BRB7 p.364            
Jeffrey R. Elliott                                                                                           

▪ Restoring famous instruments is a tricky business. If they are also old, well-played, and abused by poor storage facilities the work becomes a cross between knowledge, craft, and art. Elliott goes where few of us would care to travel, explaining every step of restoration as he goes. Perhaps as important is what he doesn’t do. The ethics of restoration is a foundation of the story. With 42 photos as well as a 2-page spread of GAL full-size plan #52.

This article has been nominated as one of the Guild’s fifty best articles published before 2010.

Questions: Dished Soundboard

2004
AL#80 p.61   BRB7 p.349            
R.E. Brune                                                                                           

▪ A highly valued classical guitar from the 60s that has developed a dish between the bridge and the sound hole.

Shifting Gears on a Gretsch

2004
AL#77 p.22   BRB7 p.156            
John Calkin                                                                                           

▪ Dealing with a store saves you the hassle of dealing with customers but includes the uncertainties of not having access to the customers. The pros and cons are examined. Meanwhile, a Gretsch electric guitar fingerboard is removed, the truss rod swapped out, and the instrument is restored, all in good detail. With 10 photos.

Questions: Restoration Labels

2002
AL#72 p.63   BRB6 p.374            
Jeffrey R. Elliott   R.E. Brune   Stewart Pollens   Byron Will   Michael Darnton   Frank Ford                                                                       

▪ Thoughts from various folks representing different instruments and approaches on restoration label do’s and don’ts for severely damaged guitars.

1869 Francisco Gonzalez: A Restoration

2002
AL#70 p.16   BRB6 p.328            
Jeffrey R. Elliott                                                                                           

▪ Returning a historically important guitar to life is not only a painstaking project but also one that must be done with finesse and a respect for the instrument’s value as an historical document. This restoration took several months and much research and investigation, requiring the use of tools not normally associated with guitar repair. With 43 photos and a magazine-size version of GAL Plan #47 of the instrument under discussion.

This article has been nominated as one of the Guild’s fifty best articles published before 2010.

GAL Instrument Plan #47: 1869 Francisco Gonzalez Guitar

2002
AL#70 p.34   BRB6 p.343            
Jeffrey R. Elliott                                                                                           

▪ A full-scale instrument plan. See the GAL website for a low-rez preview.

The Squishy Subject of Restoration Ethics

1999
AL#59 p.6   BRB5 p.374            
Frank Ford                                                                                           

▪ A top repairman tackles the sticky subject of what repair and restoration work should be tackled in this age of vintage instrument mania, especially in the area of elective surgery. Even today’s utilitarian instruments may be tomorrow’s hot collectibles, so every instrument that passes over our bench has to be considered in this light. What work should we refuse, and what are our liabilities for the work we do? Includes 41 photos, mostly of vintage guitars and mandolins.

This article has been nominated as one of the Guild’s fifty best articles published before 2010.

Violin Views

1999
AL#57 p.56   BRB5 p.458            
Michael Darnton                                                                                           

▪ Good violins often come with a certificate of authenticity, but what does that mean? What are the legal ramifications of a certificate, and who writes them? Are they trustworthy? How does one gain the necessary expertise to write certificates? Cool stuff, even if you could care less about fiddles.

Talkin’ Repair

1996
AL#45 p.28   BRB4 p.276            
Dan Erlewine   Frank Ford                                                                                       

▪ This wide-ranging lecture transcription from the1995 GAL convention covers some specific repair techniques, professional ethics, customer relations, pursuing a profit, and vintage instrument repair. Strong advice from two of the best known men in the business.

This article has been nominated as one of the Guild’s best articles published before 2010.

Opinion

1995
AL#41 p.54               
Ervin Somogyi                                                                                           

▪ Somogyi believes that ethics is a cloudy but deep issue that all luthiers must contend with. Simply trying to do your best work is not the end of the issue.

Ain’t Nobody’s Business But My Own

1994
AL#40 p.28   BRB4 p.102            
Dan Erlewine   Tom Ribbecke   Fred Campbell   David Howard   Sheldon Dingwall   Harry Fleishman   David Colburn   Kathy Currier   Will Bremers   Jack Langley   John Jordan   Dana Bourgeois   Heidi Spurlin   Ken Fallon   Dave Schneider   Cary Clemments   Ron Chacey   Bart Reiter   Mike Jarvis   Greg Hoffman   Dave Lindahl   Tom Costanza   Chuck Erickson   Ralph Novak

▪ Repair pricing workshop from 1992 GAL convention.

Let’s Get Busy: an interview with Chris Brandt

1991
AL#26 p.48   BRB3 p.56            
Jonathon Peterson                                                                                           

▪ Brandt owns a luthiers co-op, and finds it makes more sense and money than four men running their own separate shops do. He’s got the lowdown on keeping records, using time efficiently, sharing labor, hiring a front man, and turning over work quickly. Lots of business hints and tips for any luthier, regardless of your position.

Meet the Maker: Michael Yeats

1990
AL#21 p.12   BRB2 p.354            
Cyndy Burton   Michael Yeats                                                                                       

▪ Training, ethics, money—all luthiers face the same dilemmas, but it’s possible that those who face the field of professional classical musicians are tried a little harder. Yeats offers straight talk about all three issues.

Violin Horror Stories

1989
AL#19 p.20   BRB2 p.239            
Al Stancel                                                                                           

▪ Even experts in the violin field get burned now and then, and once in a blue moon they end up better off than they thought from a fiddle deal. Stancel offers true tales from both sides of the coin. Exactly what kinds of worms eat fiddles?

Cussed and Discussed

1987
AL#9 p.20   BRB1 p.318            
Don Teeter                                                                                           

▪ How does an Oklahoma farm boy become a luthier? How does that same luthier become a writer and mentor to a generation of guitar repairmen? Teeter’s 1985 convention lecture tells all, then goes on to update his neck resetting procedure and his method of eliminating dead notes on the fretboard.

This article has been nominated as one of the Guild’s best articles published before 2010.

Fiddle Facts

1986
AL#8 p.47   BRB1 p.296            read this article
Al Stancel                                                                                           

▪ Stancel offers an interesting potpourri of violin information concerning steel wool, bow bugs, tuning pegs, appraisers and the IRS, appraiser scams, and the dangers of steel strings to old fiddles.

Honesty

1986
AL#5 p.33               
George Manno                                                                                           

▪ Manno makes a plea for fairness when buying vintage instruments from unsuspecting owners.

The Trade Secret, a true story

1985
AL#3 p.16   BRB1 p.83            read this article
Michael Dresdner                                                                                           

▪ Dresdner relates a story from his early days which illustrates the fact that only the ill informed believe in trade secrets.

The Business of Lutherie: 1984

1985
AL#2 p.8   BRB1 p.58            read this article
Ted Davis   Steve Grimes   Bob Meltz   Matt Umanov                                                                               

▪ This panel discussion from the 1984 GAL Convention features Bob Meltz, Matt Umanov, David Sheppard, Ted Davis, and Steve Grimes. Straight talk on the realities of being a one-man lutherie shop.

Where Are They Now?

1985
AL#2 p.13   BRB1 p.56            read this article
Tim Olsen                                                                                           

▪ An update of the 1980 Lutherie Business panel discussion, featuring George Gruhn, Max Krimmel, Steve Klein, Robert Lundberg, and R.E. Brune.

The Business of Lutherie

1981
GALQ Vol.9#4 p.10   BRB1 p.48            read this article
R.E. Brune   George Gruhn   Steve Klein   Max Krimmel   Robert Lundberg                                                                           

▪ The economic atmosphere surrounding lutherie has changed a lot since this 1980 panel discussion, but tapping into the lutherie boom is no easier than it ever was. Max Krimmel followed his genius out of guitarmaking many years ago, but the rest of these gentlemen are still active, and their longevity suggests that they knew what they were talking about so long ago. Panel discussions aren’t often as much fun as this one.

This article has been nominated as one of the Guild’s fifty best articles published before 2010.